Coop: I'll take a whack at explaining how this one was done. I improvised a passage on the keyboard recording at half speed. Then I took the "staff" view in CW and, measure by measure fixed any notes that I missed. How- you may ask, can I tell which notes are "wrong" when none of 'em sound "right"? Well that's what makes this part so tough! No equations or fancy theories. I just listen to it and make a decision on each note. Sometimes this takes multiple listens. But I generally get the rhythmic basis of it with very little fudging around after the fact. If a note feels late or early I'll slide it into place, but that's much more infrequent than the HUGE # of bad notes I have to weed out from most improvised tracks. Then I wrote several bass lines directly in staff view against the line I already had. Then I improvised another 2 tracks like the first one using the bass lines I just wrote as a click track. Fixed them and wrote a few short "lead" tracks and the ending. Then it was a matter of doing an "SF Acid" (that's Sound Forge not San Fran) style arrangement by mixing and matching the verses with the bass lines. After that, the instrument selections were finalized, and the pans and volumes adjusted globally.
Buck: Yeah I still love Cat Brains as well. Searching for more material like that seems (for me anyway) somewhat impossible, but I keep trying. And it was the freshly written synth tune that spawned the idea for the lyrics, not the other way around, so just thinking other weird thoughts and trying to come up with music that matches it doesn't work for me.
Slack: Thanks, and I'll be on the lookout for peach trucks running amok. My assistant and his wife just got out of the hospital from last Sunday when they totalled their 280C. Man- what a sweet ride that car used to be. Despite your claim to not understand this music, I think you've gotten the point in the post that started this thread: Just listen to it and don't try to find the 13 beats that are there only in a mathematical context.
Kelly and Meshuggah: Those dreams sound like the sort that were the basis of the classic Lewis Carrol fantasies.