
sonusman
Banned
The studio just traded 10 studio hours for a new mic:
Milab DC-63, a SD condensor with 4 polar patterns, 3 different bass roll off's, and 2 pads.
I decided to give it a try yesterday on a male vocal, and a mandolin.
The vocal chain was:
DC-63 - Focusrite Red 8 - dbx 160x
Mandolin chain was exactly the same with the same gain setting on the Focusrite (as I recall, about -63 dB or so), but with a slight adjustment in the threshold on the dbx.
This was summed in Sonar. Everything is at unity gain except the guitars, which were all trimmed -3dB.
I used a little L2 to get a bit louder. Many errant kick drum hits keeping the master fader down to -8dB, so I needed to make that up a bit.
So really, this is truely a "faders up" mix. I even forgot to pan the damn overheads on the drums! LOL No eq/compression/limiting/verb on the tracks.
I am actually very impressed with the Milab mic!!! Very smooth overall. No hyped upper mids, and a very tight bottom.
What you all think?
Ed
Milab DC-63, a SD condensor with 4 polar patterns, 3 different bass roll off's, and 2 pads.
I decided to give it a try yesterday on a male vocal, and a mandolin.
The vocal chain was:
DC-63 - Focusrite Red 8 - dbx 160x
Mandolin chain was exactly the same with the same gain setting on the Focusrite (as I recall, about -63 dB or so), but with a slight adjustment in the threshold on the dbx.
This was summed in Sonar. Everything is at unity gain except the guitars, which were all trimmed -3dB.
I used a little L2 to get a bit louder. Many errant kick drum hits keeping the master fader down to -8dB, so I needed to make that up a bit.
So really, this is truely a "faders up" mix. I even forgot to pan the damn overheads on the drums! LOL No eq/compression/limiting/verb on the tracks.
I am actually very impressed with the Milab mic!!! Very smooth overall. No hyped upper mids, and a very tight bottom.
What you all think?
Ed