Good song, really good singing and keys. Singer is engaging and in tune almost always. The progression starting at 1:12 is classy writing IMO.
Maybe the gtr part at the intro could be a little more saturated and it'd make the repeated arpeggio tones come off better. When the gtr's so clean there it sounds kind of like a fingering exercise - heh-heh, no offense to the gtrist. For a lot of the song the rhythm gtr hits me as fighting for arrangement space with the organ, even though they're panned apart. If the rhythm gtr could have more distinct articulation it'd differentiate the two better.
I agree that the guitar part is a little sterile during the arpeggios. when we play it live it sounds a lot dirtier.. we really tone things down for the studio. My reason for posting this particular track was mostly that i was happy with my work with the leslie, it's got a controlled scream during the outro that i like... hahahah...
Nice song. It's more structured than the others I have heard. The drums sound a bit thinner, which isn't a bad thing, but maybe they don't sound as clear.