need to know how to make this work

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fenderbassman

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alright so i would like to know the easyiest and best way thats also affordable to get my home studio working. what i have is a laptop and a soundcraft lx7 with direct outputs on every channel. i would like to be able to record up to 16 channels to my laptop wich has nuendo simoultaniously. the console would essentially just be used as a preamp i suppose, i dont plan on mixing on it after its been recorded i can do all that threw nuendo. so my real question is, how do i make what i have work? what do i need to get sound from the console to the laptap with a minimum of 8 preferably 16 channels recorded at the same time.
thanks for you time, looking forward to the help
 
You'd need an interface for the laptop that has 16 line inputs.

You might try the A&H "Zed" mixer -- Firewire I/O (16 channels) and preamps that you'd probably like better than the LX7 for relatively dirt cheap.
 
You're gonna need a kick ass laptop to run 16 channels simultaniously. Not impossible but top end.
 
Recording to a laptop is a a losing proposition regardless of which way you may want to slice, dice, or interface it.
 
I record 8 chanels to my MacBook via FireWire and I have never had any problems at all
 
I regularly record 16 channels on my 3 year old laptop and never have any problems recording or playing them back. Where you DO start to need computer horsepower is if you try to add real time effects to those tracks--but there are ways around that.

To answer the original question, you need some form of interface to convert your 16 channels of audio to data and feed this into your laptop--and this is where you are going to struggle. With a laptop you're limited to USB, Firewire or maybe Cardbus interfaces--and I don't know of any of these set up to handle 16 analogue channels. Most are set up to take some analogue but receive other sources in some digital format such as ADAT. As an example, I use a digital mixer to feed up to 32 channels of ADAT via an appropriate interface into my laptop. There are ways around this if you really need 16 channels--but you'll probably spend more than the cost of your laptop on an awkward solution.

I think you have to ask yourself if you really need all 16 channels at once in a home studio. Not many home spaces I know of can really handle this sort of recording--a pro studio would have all sorts of acoustic baffles, vocal booths, etc etc. Although I can DO 16+ tracks at once, I rarely use this facility except for the occasional recording of a live event--not at home.

If you can re-think things and live with 8 channels at a time, then the world opens up to you with all sorts of interfaces to choose from and a choice of USB or Firewire. Especially if you're only getting started in home recording, I'd suggest you start a bit simpler and play with layering tracks for a while to learn what you actually want and need.

Bob
 
As long as you have an interface that has 16 inputs you should in theory be able to record 16 channels at once. To make it work practically, you will likely need to record all the tracks dry without effects as they are processor hogs and your system will need all it's power to record at that level. You will also need a laptop that has a 7200 rpm drive. Most stock laptops are not 7200 rpm. I think they are in the range of 5000 rpm. That is generally not fast enough to do serious recording. Defragmenting the hard drive before each session is also bound to help.

Dave
 
As long as you have an interface that has 16 inputs you should in theory be able to record 16 channels at once. To make it work practically, you will likely need to record all the tracks dry without effects as they are processor hogs and your system will need all it's power to record at that level. You will also need a laptop that has a 7200 rpm drive. Most stock laptops are not 7200 rpm. I think they are in the range of 5000 rpm. That is generally not fast enough to do serious recording. Defragmenting the hard drive before each session is also bound to help.

Dave

You can use an external harddrive that is 7200rpm.
 
I regularly record 16 channels on my 3 year old laptop and never have any problems recording or playing them back. Where you DO start to need computer horsepower is if you try to add real time effects to those tracks--but there are ways around that.

To answer the original question, you need some form of interface to convert your 16 channels of audio to data and feed this into your laptop--and this is where you are going to struggle. With a laptop you're limited to USB, Firewire or maybe Cardbus interfaces--and I don't know of any of these set up to handle 16 analogue channels. Most are set up to take some analogue but receive other sources in some digital format such as ADAT. As an example, I use a digital mixer to feed up to 32 channels of ADAT via an appropriate interface into my laptop. There are ways around this if you really need 16 channels--but you'll probably spend more than the cost of your laptop on an awkward solution.

I think you have to ask yourself if you really need all 16 channels at once in a home studio. Not many home spaces I know of can really handle this sort of recording--a pro studio would have all sorts of acoustic baffles, vocal booths, etc etc. Although I can DO 16+ tracks at once, I rarely use this facility except for the occasional recording of a live event--not at home.

If you can re-think things and live with 8 channels at a time, then the world opens up to you with all sorts of interfaces to choose from and a choice of USB or Firewire. Especially if you're only getting started in home recording, I'd suggest you start a bit simpler and play with layering tracks for a while to learn what you actually want and need.

Bob

Exactly THIS ! ..................
 
To make it work practically, you will likely need to record all the tracks dry without effects as they are processor hogs and your system will need all it's power to record at that level.


Frankly, it's best practice to record your tracks "dry without effects" anyway. This gives you the option to be very careful with the effects later on when mixing. If you add effects at the time of recording, you're stuck with them that way forever.

Bob
 
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