That's not an ideal space but some very quick and inexpensive cures would be HEAVY velvet if you can get them curtains over the big window.
If I'm reading right your kitchen is directly behind you? Not a lot you can do about that really. Maybe a curtain rail on the ceiling with very heavy drapes behind the mixing position and monitoring at lower volumes would help pick up less reflections from the room. When not recording and mixing you pull the drapes back to the side walls and tie them up for asthetics.
Cheap absorbers for the walls....4" x1" or 4" x ½" frames even stuffed with 2" RW45 and covered with canvas. If you put a single strip of wood onto the wall with rawl plugs or whatever you can hang your absorber frames over them and take them down any time you need to. Obviously the bigger the gap behind the lower freqs will be absorbed.
You already mentioned you have a landlord and can't have anything to permanent so better I mention it again before anyone else chimes in with ideas that aren't ethical.
Play every commercial CD you can get your hands on through your monitors and LEARN how they sound in your room. Use them a LOT as mix references. I still think it doesn't matter how well a room is treated, you still have to learn how your monitors behave in there before you can mix acurately on them.
I'll get kicked in the nuts for this one

.... use your monitors to get your levels balanced and use (dare I say it) headphones to check the panorama and the depth of your mixes, but always cross reference with your CD collection. If you get a happy medium between the monitors and headphones for that you're half way there but, never rely on headphones for individual volumes of instruments in the mix, always go on what the monitors tell you for that and they'll be more truthfull at lower listening volumes because the signals won't be bouncing off the walls as much and colouring your mix.