
octoruss
New member
Hola amigos,
Yer friendly octoruss here....
I've got something of a tricky situation coming up next month. I've been asked to rent and setup a PA for a 30-member choir that will be performing with an accompanist OUTDOORS. This will be a 4th of July event with about 200 people, and frankly I'm a bit nervous.
I plan to rent the following gear from Mars :
Yamaha 660EX powered mixer with 6 inputs
2 main speakers
4 monitors
2 AKG C1000s condensor mics (these are the only condensors they have for rent!) and I'll use my own 2 Elation KM201 small diaphragm mics.
It will be set up as outlined in the diagram attached.
Now I've got two potential problems that are causing me to lose sleep at
night--
1) DYNAMICS: The pieces they are singing are very dynamic--lots of soft vox and some very loud parts. There will be nobody available to mix as we go along (since I'm singing in the choir) so I'll have to set levels during rehersal and leave it. Given this fact, would you suggest I leave the mics somewhat hot so it will capture the gentle parts, but insert a
limiter/compressor to keep the very loud parts in check? If so, how do I set the limiter? (I know, dumb quesiton but I've never really fugured these things out.)
2) WIND: If it's windy outside, I'm sure I'll have a big problem with wind. I plan on wrapping the mics with 2 pop filters and a sweat sock or two (since I can't afford to buy 4 zeppelins). But does anyone have any other creative solutions for this problem?
Yer friendly octoruss here....
I've got something of a tricky situation coming up next month. I've been asked to rent and setup a PA for a 30-member choir that will be performing with an accompanist OUTDOORS. This will be a 4th of July event with about 200 people, and frankly I'm a bit nervous.
I plan to rent the following gear from Mars :
Yamaha 660EX powered mixer with 6 inputs
2 main speakers
4 monitors
2 AKG C1000s condensor mics (these are the only condensors they have for rent!) and I'll use my own 2 Elation KM201 small diaphragm mics.
It will be set up as outlined in the diagram attached.
Now I've got two potential problems that are causing me to lose sleep at
night--
1) DYNAMICS: The pieces they are singing are very dynamic--lots of soft vox and some very loud parts. There will be nobody available to mix as we go along (since I'm singing in the choir) so I'll have to set levels during rehersal and leave it. Given this fact, would you suggest I leave the mics somewhat hot so it will capture the gentle parts, but insert a
limiter/compressor to keep the very loud parts in check? If so, how do I set the limiter? (I know, dumb quesiton but I've never really fugured these things out.)
2) WIND: If it's windy outside, I'm sure I'll have a big problem with wind. I plan on wrapping the mics with 2 pop filters and a sweat sock or two (since I can't afford to buy 4 zeppelins). But does anyone have any other creative solutions for this problem?