indymusician
New member
Hey all.
I usually have a pretty good ear for picking out little techniques that I hear on recordings that I am fond of. If I hear something cool or unique, I will usually just sit down and try to recreate it so I have it in my tool box if I ever think it might work with a tune I am producing.
One song in particular has one of the coolest vocal tricks that I have ever heard. It messes with your head just enough to make it cool without giving you a case of vertigo. The song I speak of is "One Man Army" by Our Lady Peace. The effect is very clear throughout the first verse. I have tried Automated panning of a double and even triple vocals, I have even tried automating the eq along with the panning and have come up with some cool sounding things, but haven't really been able to get close to sound they get on that recording. After a few years of putting it away then coming back to it with no luck, I thought this might be a good place to get some insight on what I might be missing with this vocal track.
If anyone would like to share their thoughts or experiences, it would be greatly appreciated. I think it's just become personal between myself and this track and I sure would like to break it down before I die. I would find it hard to believe that no one else has listened to that album very closely and found the production and mix provocative and inspiring.
Arnold Lanni engineered and produced the album if anyone might be familiar with his techniques.
Thanks everyone.
Ken
I usually have a pretty good ear for picking out little techniques that I hear on recordings that I am fond of. If I hear something cool or unique, I will usually just sit down and try to recreate it so I have it in my tool box if I ever think it might work with a tune I am producing.
One song in particular has one of the coolest vocal tricks that I have ever heard. It messes with your head just enough to make it cool without giving you a case of vertigo. The song I speak of is "One Man Army" by Our Lady Peace. The effect is very clear throughout the first verse. I have tried Automated panning of a double and even triple vocals, I have even tried automating the eq along with the panning and have come up with some cool sounding things, but haven't really been able to get close to sound they get on that recording. After a few years of putting it away then coming back to it with no luck, I thought this might be a good place to get some insight on what I might be missing with this vocal track.
If anyone would like to share their thoughts or experiences, it would be greatly appreciated. I think it's just become personal between myself and this track and I sure would like to break it down before I die. I would find it hard to believe that no one else has listened to that album very closely and found the production and mix provocative and inspiring.
Arnold Lanni engineered and produced the album if anyone might be familiar with his techniques.
Thanks everyone.
Ken