Need a little help

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Bosifis

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Hi everyone, I am new to the forum.
I have been recording at home for about three years now. Kinda figuring out things for myself...But this one stumps me.
I've been recording a couple of Beatle tracks-Holly's "Words of Love" and "Baby's In Black" and have been double tracking the lead guitars. I haven't done this before and have been getting a phase/chorus effect when I do it. I don't want to adjust the tone on my Gretsch because it looses the "twang". Is there a way to manipulate the second guitar to loose the phase effect?
Also, how would I go about artificial double tracking?

I'm playing through a Boss BR-8 8 track for effects and recording/mixing on Adobe Audition(Cool Edit Pro 2).

Any advice would be most appreciated....Thanks. Brian
 
Is the effect still there when you pan the lead guitars hard left and right?
 
Unless I'm missing something, if you send an "effected" signal to a track, it's gonna stay that way... Ok that sounds too obvious, I MUST be missing something.

Can you outline your signal chain for us?
 
Bosifis said:
Hi everyone, I am new to the forum.
... and have been double tracking the lead guitars. I haven't done this before and have been getting a phase/chorus effect when I do it.
This shouldn't be happening when you double-track unless there's some bleed or some other thing. How bout a visual picture describing how the 2nd track gets recorded - including your monitoring and your micing or DI setup and how it differs from the 1st recorded guitar track.

Also, how would I go about artificial double tracking?
For inspiration: http://en.wikipedia.org/wiki/Automatic_double_tracking

If you don't have a tape deck a chorus (to simulate machine warble) and a Delay (to create the small delay) could be combined in certain ways to simulate it. Voxengo just released an Analog chorus (AnalogFlux) that does this very nicely too and has a Tape feel to it. http://voxengo.com/analogflux/
 
Bosifis said:
...have been double tracking the lead guitars. I haven't done this before and have been getting a phase/chorus effect when I do it...Is there a way to manipulate the second guitar to loose the phase effect?
Also, how would I go about artificial double tracking?


I would guess you will always get a little of this because it is impossible to play the parts exactly the same way twice, resulting in a chorused sound (happens with doubled vocals too). I agree with the suggestion of panning each track hard left/right, which helps. As for artificial doubling, you can record (or copy) a take to two separate tracks and use different effects on each track to make them sound like two guitar takes (maybe a slight delay on one, different reverb time, etc., so it doesn't sound quite like the first). I've never really dug that sound, though. You can also use a Y splitter to send the signal from your guitar through different effects chains (one clean, one distorted, etc.) and then record each chain to a separate track, or blend them into one track.
 
Hi. First off, I didn't want to pan them, I kinda want to get a mono sound out of the recordings.

What I'm doing is playing through a Boss BR8 with compression, slight eq, and slight reverb...Someone told me to record dry, I tried it, but still got the same unwanted effect. I realize there wil be a slight phase, but it sounds bad.(To me at least, I'm picky :p )

So, through the 8-track the signal goes through my Sound Blaster Audigy 2 ZS sound card, and records on Adobe Audition. I record one part on track one. Then overdub the same part on track two. I don't add anything to the tracks on Audition. I don't change anything on my 8-track or guitar. That's it.

For you Beatle freaks out there, listen to "Words of Love" off of "Beatles For Sale". You'll hear George's guitar is double-tracked(It's not a 12 string, I check MANY sources).

Any takers????? Thanks...Brian
 
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