
TelePaul
J to the R O C
I'm not talking about lap-steel tuning, or E9 tuning...i'm talking about using a 12 string set on 2 six strings...although I'm a little fuzzy about the details. Anyone know how this works?
Light said:The way most people seem to do it (and the way I do it) is to use the octave strings for the four lowest strings (E, A, D, and G), but some people use a normal G string and only go up an octave on the E, A, and D strings. I have a guitar that I keep setup as a high strung (which is another name for it) guitar (actually, the first acoustic I built, but that is neither here nor there). I find I get better results with a high strung guitar if I use the gauges from a 12 string medium gauge set, as opposed to a light set, because 12 string sets are a bit lighter than six string sets normally anyway. There is one pretty major issue with it if you want to record with it, however: Intonation. If your guitar is setup for a normal six string set, it will NOT play in tune up the neck. So, the thing to do is try it and see if you like it. If like it enough that you are going to use it a lot, you should probably get a guitar setup just to be high strung, including getting the saddle slot filled and recut, possibly with a wider compensated saddle. It just will not play in tune other wise, and you will all but have to retune and punch in every chord, at least if you move around the neck the way I do. No fun that.
However, an in-tune high strung guitar can be a thing of beauty. They layer into a production, adding some really nice shimmer and depth to the track, while not getting in the way of the "main" guitar parts, or really any of the parts. Also, if you have ever had trouble getting a 12 string part to sound in tune, double track the part with a six string and a high strung guitar. If you can play the double well, it will be the best sounding 12 string you have ever heard.
Light
"Cowards can never be moral."
M.K. Gandhi
TelePaul said:Thanks Light, I was under the impression it required two guitars to be restrung. It'll probably only be a day-long experiment, but thanks for that.
i got to play a couple Matons when i was in Sydney a few years back and i *really* wished i'd been able to take one home to the states with me. I forget which models i played, but i really liked em. tone and feel was very reminiscent of a Martin, which i suspect was largely the point.....but it seemed to have a little bit of a gibson vibe thing going on too.ausrock said:I've had my '69 Maton 12 strung