Thanks for the feedback folks. I guess it has a 70s/80s feel 'cause that's when my musical career really solidifed (since has become avocational). I'll admit to loving the "quirky" when it comes to keyboards etc.
I've heard similar feedback from buddies about the vocals being buried. I'm learning the plug in reverbs and I may revert back to using my trusty outboard Lexicon LXP-1, which always was intuitive.
I still struggle with EQ, not having an instinctive approach to scooping out sonic spaces for each track, thus yielding the nicely balanced sound heretofore so elusive. Thus, I take DonF's comments to heartand welcome any more suggestions on EQ.
Kevin, regarding your question of guitar tracking, I'm trying to go with the basic approach of one of my cheapass guitars (Ibanez strat copy or
Gibson Sonex) into my Mesa Boogie DC-3 with an SM57 crammed into the grill, into my Demeter HM-1 Preamp, with a touch of RNC compression, then into
my 896HD. I stacked a lot of guitars to get a thick sound. I'm a keyboard player by trade, so I struggle to get a decent guitar sound, thus making me grin broadly at your Jimmy Page reference. My brother (the drummer) keeps nagging me to get a Pod, but I want to master basic amp micing techniques instead.
For Drums, my brother plays a basic Tama kit with the requisite Zildjian/Paiste mix. We used a modified recorderman 3 mic setup (search recording.org for his approach) with a snare mic and undersnare. The two overhead mics (a two drumsticks' distance from snare center - one directly over snare, one over drummer's right shoulder) are Crown CM700s, the snare mic is an SM57, the undersnare mic is
my Neumann U-89 (also my vocal mic) and the kick is just a piece of crap Audio Technica dynamic that I use to get enough signal to trigger an Alesis D4 drum sound. For preamps, I used my Demeter HM-1, plus I borrowed my next door neighbors' API lunchbox (am I lucky or what?).
Thanks so much for the feedback!
And Kevin: no lie we were lucky as hell. I'm still hoarse from that game...