N
Newbie-Doo
Member
...Jimmy Page Signature Les Paul anyone? 

my2cents said:i remember in the late '80s going into dixie guitars, which was the premier guitar store in the atlanta area for vintage buffs. i was a teenager and knew virtually nothing about guitars, but the most expensive guitars they had (not counting the ones they kept hidden in their vault for when billy gibbons and slash stopped by with briefcases full of cash) were in the $3000 range. that was for a pre-cbs strat in a glass display case with a card that said it had been under some old lady's bed for decades. nowadays if you mention "pre-cbs" and "$3000" in the same sentence you'll get laughed out of town.
TheRockDoc said:I used to live in Marietta, and I worked at Daddy's in Boston before that. I also have friends that worked at Mandolin Brothers. The answer to that question (not that you even asked one) is that now the generation of people who grew up with guitar-oriented classic rock is now spending their money recapturing their youth- even if they don't play anymore. A close friend had a 64 strat he sold for about 5-6k and 3 years later I saw one for 14k. Just like the real estate boom...
classicrockman7 said:Most of my favorite guitar players (with the exception of Jeff Tweedy) play guitars that cost under 1000$ and most of the time under 500$. For instance Beck's main axe is a Danelectro made Silvertone, whith a shortscale neck and one pickup..... cost? about 300$. Then there is Jack White who plays an airline guitar that cost about 500$ before he brought the demand back. He also plays a 150$ domino hollowbody guitar, and a 100$ kay hollowbody. And he gets sound that are nothing short of amazing. Then my final argument is Dan Arbauch from the black keys who records all of his albums on about a 1000 dollar setup. And thats including recorders mics and guitars. He uses silvertones, harmony's and kays.
THe bottom line here is that people that spend upwards of 2000$ for a guitar that says Gibson on it are less creative than those who spend 300$ on a silvertone.
My style is weird, so i like the weird guitars. Like i have a friend that has a denelectro reissue, a gibson sg classic, a dot, and a silvertone two pickup. My favorite one is by far the silvertone. Its almost 50 years old and is about to fall apart but the sound is amazing. The least favorite is , surprise the SG, i struggle more with that guitar than any other guitar i have ever played.
classicrockman7 said:THe bottom line here is that people that spend upwards of 2000$ for a guitar that says Gibson on it are less creative than those who spend 300$ on a silvertone.
classicrockman7 said:THe bottom line here is that people that spend upwards of 2000$ for a guitar that says Gibson on it are less creative than those who spend 300$ on a silvertone.
.
Light said:Professional violin players will pay in excess of $100,000 for their instruments. And that is just the guys in the orchestra. The soloists are spending well over $1,000,000.
When professional guitar players complain about the cost of a good guitar, they sound like whiny asses. Guitars are, with only a very few exceptions, cheap. You DO get what you pay for. Now shut up and play.
And yes, saying things like this is EXACTLY why I chose to stay anonymous on this forum.
Light
"Cowards can never be moral."
M.K. Gandhi
Light said:To build a guitar with the build quality of any of those you mentioned, you could not do it for less. But of course, you couldn't match their build quality, unless of course you have built a couple hundred guitars (or more). And it will take you at least ten to really hone in on the sound you are looking for.
Trust me, I know. I've been there.
And just a quick look at the cost of a Les Paul:
Mahogany is REALLY expensive and getting more so all the time. This is particularly true for wood of a sufficient quality to be used in a guitar.
Figured maple is really expensive too.
Between materials; overhead for the factory, tools and maintenance; and labor costs, I would suspect that a Nashville made Les Paul costs Gibson approximately $500-700 to make. Now, they need to make a profit for their share holders, so it goes out the door for a MINNIMUM of $1000, but probably more like $1300. Standard markup in any retail business is 100%, but if you are getting it for $2000, you are paying quite a bit less than that. Of course, most businesses give discounts on MSRP (ours is usually about 30%), but a $700 profit on a $1300 cost is not very good, when you consider the salespersons commission is on the full sale price (say 10-15%, so $200-300), and then you have non-sales staff to pay, plus rent on the retail space, maintenance, and of course utilities and the like. And somewhere in all of this the store owner needs to find a profit.
Add to all of this the fact that the Les Paul is a hugely popular guitar, meaning that Gibson has little problem selling all they make, which means the shareholders are yelling at the company to charge more for them, because shareholders like big dividend checks.
Now, those numbers are completely made up, but not at all unlikely numbers. There is a lot of very labor intensive work on a guitar like a Les Paul. They do not use much in the way of CNC at the Gibson factory (or they did not last time I checked, which is probably too bad, as it might help their QC); they are still shooting nitrocellulose lacquer (because it SOUNDS better), which is very time consuming (my finish process with nitro takes a minimum of one month, which is probably longer than it takes Gibson, but they are still needing to store the drying guitars for at least two weeks,, and drying guitars take up a HUGE amount of space, which they are paying rent on – one of the reasons I am so glad we own our building, but that has it’s own problems); and those carved tops take a lot of hand sanding, particularly during finishing.
Is their profit margin big? Sure, but the market tells them it can be. It is not, however, unreasonable. I would certainly take that kind of profit margin, if I could. I can't, but that is because my name is not Gibson.
You pay for the name, but you also get what you pay for. That name Gibson means a hell of a lot when it comes time to sell the damn thing, and the high resale value is a big part of what you are paying for with a Gibson.