M
mixsit
Well-known member
I'm still figuring out how this best works. I landed on this approach...sort of thinking out loud here, looking for insight.
We have clip 'gain' envelopes which are pre-fader and pre-effect patch (buss or track insert). Then, the track 'volume' ones that are post.
I tended to get my self into a bind, when I made a bunch of volume edits (some very fine and numerous). Then as the mix progressed, if I wanted to try out some simple volume changes, I guess you can grab them all and move them, or go to 'offset' mode.
So I'm trying the 'gain' ones for most of the moves, saving track volume for later. Seems like it leaves more easier options.
One thing that comes out in this is the effect it has on compressor plugs. As you boost and cut 'gain', it changes the density in the comp. So you have the option to have level change with the same sound effect or not.
Cheers
wayne
We have clip 'gain' envelopes which are pre-fader and pre-effect patch (buss or track insert). Then, the track 'volume' ones that are post.
I tended to get my self into a bind, when I made a bunch of volume edits (some very fine and numerous). Then as the mix progressed, if I wanted to try out some simple volume changes, I guess you can grab them all and move them, or go to 'offset' mode.
So I'm trying the 'gain' ones for most of the moves, saving track volume for later. Seems like it leaves more easier options.
One thing that comes out in this is the effect it has on compressor plugs. As you boost and cut 'gain', it changes the density in the comp. So you have the option to have level change with the same sound effect or not.
Cheers
wayne