guhlenn said:
well, i for one want to know what bit you?
you get excellent quality, considering price. But if one looks at the BM15a, well, the wharf's are not for you (and yes, you shoudl be thankfull... )
First, the bass is loose and undefined. Second, the mids are hyped quite a bit. Third, while highs do seem mellow / somewhat flat, hi frequency stuff like cymbals tends to sound harsh thru them. It took me some time to come to grips with all this since these are my first set of, what some call "real" monitors.
For what I paid for my set, I can't complain too much. For what most people pay, I would complain.
I found that when mixing (I'll admit my mixing still sux), the vocals tend to be right up front. Take the mix else where and the vocals sit back in the mix. That's my beef with the mids.
When trying to mix bass guitar and kick, I just can't tell what's going on. Everything seems cloudy. A good analogy would be wearing fogged up glasses while trying to paint.
As for the hi's, cymbals and some times guitar parts tend to sound a little harsh. Maybe harsh is the wrong word. How about unmusical or unpleasant? Take the mix else where and that is'nt the case.
This is my experience. I spent the first few months with them listening to music every day for long periods of time. During that time and after that, I tracked and mixed every day in my home for a few more months.
I can't knock them too much for the money. I'm sure all the low budget monitors have their own quirks to work around. My main issue with these is all the hype that drove me to buy them in the first place.
I did recently get a set of passive monitors and an amp. I have'nt had much time with them yet but I can say that the bass is very defined, the mids don't seem hyped, and the hi's are unpleasant. This setup was more expensive than the Wharf monitors, but not that much more expensive. I think it's going to serve me well but only time and experience will tell.