stryyder - thanks a lot. The STS-107 comment made my day too. Much appreciate the listen.
Tmix - Dude, you have NO IDEA how much I appreciate the drums, no matter when they get done, lol. I'm the one who should be apologizing for the last one. I actually forgot to d/l the drum track you did until yesterday. It sounded great, but somebody else had given me a drum track that I started out using as a place holder...but then I got used to it - then I did like 10 mixes of the song before I got your tracks, so I kinda' just flaked out on using your tracks for that tune. I've never been so lucky to have options of live drum tracks, and I appreciate it a ton. You have this thing I like to refer to as "taste" when it comes to the drums, lol...not overplaying, not underplaying...trust me, I'll be begging for some new tracks a lot sooner than you want, lol.
As far as the signal chain on her mic, it's pathetic, at best. It's an old AKGC3000 (apparently, it's a great mic for toms, lol...not so much for vocals) through a DMP3 preamp into my subpar soundcard.
I do 3 things to her vocal usually: (1) run it through
a Waves C4 compression preset called "pop vocal." This doesn't really compress levels much at all, but it acts as kind of an automatic High pass filter/top end resonator. (2) Listen and manually envelope the vocal up and down to try to get it to sit better...she's 14, so her mic control is not the greatest at this point; (3) Run a ridiculous amount of track EQ on it to try to get some of the harshness out as well as the mud. Look at the pic...if it were a roller coaster, we'd all be sick, lol.
Thanks for asking. I'm working on another mix to try to tame the low mids some.