
wes480
New member
Harvey, Mark et. al-
Cool stories. Harvey - talking about your guitar recording made me think of one of my favorite guitarists, Harvey Reid.
He has won the steel string national championships before. His 1989 album "Solo Guitar Sketchbook" is a landmark recording to me. Amazing playing...and fidelity. Are you familiar with his work?
From the liner notes:
"Recording: April and May 1989 at The Cottage, near Bath, Maine, with a Panasonic SV-250 DAT recorder, Audio-Technica 4051 microphones and Lexicon digital reverb. This recording was done direct-to-master, with no splicing, editing, or overdubbing of any sort, and is all-digital "
I have read elsewhere that he used Apogee converters. Obviously, he was using nice gear and signal chain to make this recording...but, it all comes down to 2 microphones. His performance is what is really killer.
I have never heard a better sounding acoustic guitar than his Taylor 810 Brazillian Rosewood on the first 3 tracks of this album. Not to mention that the songs themsevles are beautiful. Some great Celtic influenced stuff...and a few traditional tunes.
If you arn't familiar with this album, it is definately worth checking out...both for the sonic quality, but..really just for the music. It claims on the back to be "An Audiophile Direct to Digital Recording".
he has lots of discs...to me this is his magnum opus though. i'd give up a lot of cd's before i'd let go of that one.
http://www.harveyreid.com/catalog/wp-catalog.html
it's towards the bottom.
"Made Guitar Player Magazine's Top 20 "desert island" list of acoustic guitar CD's" - huh, interesting. I'd like to see that list.
Cool stories. Harvey - talking about your guitar recording made me think of one of my favorite guitarists, Harvey Reid.
He has won the steel string national championships before. His 1989 album "Solo Guitar Sketchbook" is a landmark recording to me. Amazing playing...and fidelity. Are you familiar with his work?
From the liner notes:
"Recording: April and May 1989 at The Cottage, near Bath, Maine, with a Panasonic SV-250 DAT recorder, Audio-Technica 4051 microphones and Lexicon digital reverb. This recording was done direct-to-master, with no splicing, editing, or overdubbing of any sort, and is all-digital "
I have read elsewhere that he used Apogee converters. Obviously, he was using nice gear and signal chain to make this recording...but, it all comes down to 2 microphones. His performance is what is really killer.
I have never heard a better sounding acoustic guitar than his Taylor 810 Brazillian Rosewood on the first 3 tracks of this album. Not to mention that the songs themsevles are beautiful. Some great Celtic influenced stuff...and a few traditional tunes.
If you arn't familiar with this album, it is definately worth checking out...both for the sonic quality, but..really just for the music. It claims on the back to be "An Audiophile Direct to Digital Recording".
he has lots of discs...to me this is his magnum opus though. i'd give up a lot of cd's before i'd let go of that one.
http://www.harveyreid.com/catalog/wp-catalog.html
it's towards the bottom.
"Made Guitar Player Magazine's Top 20 "desert island" list of acoustic guitar CD's" - huh, interesting. I'd like to see that list.