I only have a few mics. I'll do my best. About 17 years ago I ditched all my cheap mics and started buying good ones one at a time, starting with my used MA-200. I have enough mics now to do whatever I need to, but if someone is recording alone at home I would say buy two or three great mics used vs a bunch of cheapos. YMMV.
Neumann U87ai ($1000) - gets a bad rap and is beat up. That sounds good to me on everything.
(2) Mojave MA-200 (both used, can't remember the price, too long ago.) - Set up permanently as kit mics
Mojave MA-201 - not that expensive, and wish I had two of these vs the 200s - great on the outside kick.
Three Earthworks - QTC-1, SR-77, and something else. The QTC-1 is fantastic on so many things. The other thing I forgot is that I love it on snare. I traded a cheap Zemaitis recent model guitar for these.
(2) Telefunken M-80, 1 M-81 and M-82 - bought as a kit. It's super good, I couldn't be happier. The 82 gets used a ton.
(2) Royer R-10 - pretty cool. Nice on guitars. Good on the room. Affordable.
AEA R-84 - bought open box. Great on vocals, AG, drum oh, room, etc., do what it does, but it's good!
I buy old Shure, EV, etc. mics for video props when I go to the flea market. Have an old SM-7; never got the hype. Also have a couple of cool Turner dynamics an EV CS15E (Elvis mic) never use these. I have a 58 that I don't use.
If I could have one mic, it would be the internet-hated U87ai. I had a TLM-103 and liked that through a 610, so maybe it's me.
If I could only have two, it would be the U87ai and the QTC. Earthworks aren't popular, but if you have good sources, they're hard to beat.
I leave my 87 up all the time because it sounds good on everything. A lot of the time I just want to be done and don't have time to sit around and audition things for songwriting and demos. The 87 sounds good enough that if I get a keeper it will be good enough.