Measurement Tools for Audio- BS or REAL

  • Thread starter Thread starter CoolCat
  • Start date Start date

Measurement Tools BS or REAL?

  • NO: Too many variables, BS..use your ears, save your money

    Votes: 0 0.0%

  • Total voters
    9
  • Poll closed .
CoolCat

CoolCat

Well-known member
I'm confused and wanted to post a POLL.

Whats the vote on these Measuring tools?

Please mention why and what model you use.

I just noticed JBL is getting more into this AUTO-KIT TUNER, using a measurement mic and internal adjustments.
And recently heard someone using this same type of "AUTO TUNER"
for a live gig and he said it sounded great and loved the new Tuner.

I've dabbled with these tools but am not really sold on it, due to all the negativity towards the data and tools themselves.

C'mon don't be shy........all you gearhead frequency response purists out there.
 
Measuring tools are great, if you understand how to take the measurements, what they mean and what to do with the results.
 
Is that auto tuner that one that has motors that automatically keep the guitar in tune?
 
thats a different auto-tuner. I think they call that the Guitarist messed up on heroin Auto-Guitar tuner.

The one I referred to is for messed up soundmen.

Kind of like a Auto Pilot on the commercial airlines, so they can go to the restroom.
 
I'm Assuming that you are talking about an RTA. Yes they are very usefull. If you know what you are looking at they can be very useful. AS far as for live music they are a tremendous tool for room analysis. Given the volume of the program material you can weight for flat respose A weighting and C weighting on your average RTA. As far as for studio they can be useful to find nodes and room anomalies. I own some of the New JBL LSR monitors and they are the real thing as far as self flatening. I find them useful as far as location recording for setting up surround mixes on the fly They automatically set up the delay times themselves for surround monitoring. And they store the settings so if you move around from place to place a lot they are very helpful.. Why wouldn't you want to use a measurment tool for audio just as you would use a tool for any other job. And why would you not want to have the best listening enviornment as possible. The monitors are only as good as the enviornment in which they are used.
 
Opinions appreciated.........

Thanks Peter, and yes I was referring to the RTA and the DB meter and other "HR room tuning tools".

Hoping to clarify a few points, starting from the Low end price range thru to the higher end tools.
In the HR enviroment are these tools "real"?
Real meaning worth the money and time for setting up Nearfields and SUBS..or Live Music too.

IMO, There's seems to be alot of controversy over these Audio measuring devices and data. (Is this just a marketing scheme or is it a real science?)

For instance Volt meters, Guitar tuners, Temperature meters, all seem to be very well accepted; the Audio measuring devices on the other hand, tend to have a large following of people who don't trust the data for one reason or another.

Yes, Your the first with the JBL I've heard from. The article in RECORDING mag was positive. JBL was mentioned as they tend to be a respected company and seemed to be working with the measurement mic's and "auto-tuner" circuits.

thanks, again just trying to clarify it for myself with inputs and arguments either way.
I don't want to waste my $50 HR budget for the 2nd Quarter! doh!
 
> I've dabbled with these tools but am not really sold on it, due to all the negativity towards the data and tools themselves. <

You need to clarify your question.

There are hardware and software tools that measure a room and they are real, though they vary wildly in capabilies. I use the ETF software, and it's great and affordable ($150).

There are also loudspeakers that claim to have auto or manual EQ that eliminates room mode problems. That's total BS and marketing hype.

--Ethan
 
Ethan Winer said:
> I've dabbled with these tools but am not really sold on it, due to all the negativity towards the data and tools themselves. <

You need to clarify your question.

There are hardware and software tools that measure a room and they are real, though they vary wildly in capabilies. I use the ETF software, and it's great and affordable ($150).

There are also loudspeakers that claim to have auto or manual EQ that eliminates room mode problems. That's total BS and marketing hype.

--Ethan
As far as the speaker end of things I don't think its BS. The technology is very new as far as it being inclusive in a speaker. Not that it hasn't been around for a while. The JBL LSR works quite fine and does not use the traditional pink noise for calibration. It uses bursts. I found them to be quite effective as far as listening position is concerned. The room itself no but all that matters is your listening position anyway.
I'm quite shure anyway that few people would have an opinon on these JBL LSR anyway because they just came out. So it will take time for people to develop opinions on them so I will take that with a grain of salt anyway. Besides if only for automatic delay times only they are worth the money.
I prefer hardware RTA's And Db meters in conjunction with software. The software is good for analizing the data. These things aren't cheap so you probably won't find a lot of people using them without a specific purpose in mind.
 
There are also loudspeakers that claim to have auto or manual EQ that eliminates room mode problems. That's total BS and marketing hype.
Naaaaaw?really? Not in the acoustics industry?..of all the nerve ;)
 
attempt to clarify the question

My confusion about this issue came after doing, a Level 1 setup- we can call it. Using your DIY Bass Traps & basic layouts actually (thanks). It was clearly obvious the first acoustic-pieces made a vast difference, a very noticeable improvement post this Level 1 work. Noticed in the mixes and translations.

However, at Level 2, we can call it, adding a couple more pieces of foam or moving the traps around etc.. was very subtle to hear at best. This inability to hear the subtle changes, lead me to start reading and dabbling with the measurement tools.

Debateable comments about the tools and data such as the the Radio Shack Db meter and Allen Heath RTA's graphs arose, in my case.

Ex. Blue Sky mentions using the RS Db tool, but at the same time many say its "weak", it doesn't "really" work, you need to put in conversion factors..etc.
Others say you need a high-end system, like a Bob Hodas article to setup a sub correctly.

I was hoping to clarify why measuring freq. response in rooms is so different than reading the freq response of a guitar string/pickup?
Its all just freq measuring?

Its rather brain sizzling IMO.
 
Peter,

> The technology is very new as far as it being inclusive in a speaker. Not that it hasn't been around for a while. <

Exactly. Just because JBL bundles an equalizer with an active loudspeaker doesn't mean they can suddenly defy the laws of physics. And that's the real issue here.

> The JBL LSR works quite fine and does not use the traditional pink noise for calibration. It uses bursts. <

It doesn't matter if you use an impulse, MLS noise, pink noise, white noise, swept or stepped sine waves, or any other signal source. It is simply not possible to cure small room frequency response problems with an equalizer.

> all that matters is your listening position anyway. <

In any room the size you'll find in most homes, the response varies significantly over distances of only a few inches. So forget the listening position - you can't even EQ the response to flat for both ears at the same time! :D

--Ethan
 
BS or REAL

Ethan Winer said:
> all that matters is your listening position anyway. <

In any room the size you'll find in most homes, the response varies significantly over distances of only a few inches. So forget the listening position - you can't even EQ the response to flat for both ears at the same time! :D

--Ethan
Interesting, so at what point is this HR acoustic work futile?
What would you consider resonable freq response for the "most home rooms"? +/-6db, +/-2db range?
and per what?
Your ears, a meter, your ETF, the TRUE RTA, Allen Heath RTA, JBL Autotuner?

The JBL debate right here is a perfect example, if the ETF is trusted, couldn't one use this on the JBL's to see if this new technology really works?

This is the whole topic, really how do you quantify frequency response?
All this MY MONITORS ARE FLATTER THAN THOSE MONITORS is starting to make me puke. This inane bullshit of "hey man, glue 300 Auralex Foamys to your walls and then buy the $150 the "new" Auralex Sub-woofer holder! Its great its made my BASS REALLY TIGHT!!!

and why is a 1/24th $3000 software better than a $150 1/24th octave software better than a $10 1/24th Ocatve software??

I think Level 3 is where the entire walls are padded, windows gone, and you get to wear a special jacket with lots of buckles. :eek: :p
 
i agree to some extent. but if you plan on listening to your mix in the corner or out in the hall this would make sense. Why not use something to get you to a good starting point from which to then make adjustments by ear. I am in no way implying that these tools would eliminate small room problems or be a panacea if you will. But its a solid starting point. Better than throwing up two monitors and hitting play and thats all.
Does it work or not is the question. And I would have to say its pretty decent to get you half way there
 
1)in my field if you can't fully "trust" the data its called Marginal and therefore results are inconclusive.(bad- underdeveloped- questionable-debateable).
2)How do you win the "trust" data?
You get whats called "confidence data".
3)How do you obtain "confidence data"?
Measurements.
Luckily, for the Semiconductor industry, voltages, current, and resistance is agreed upon by the global community and can be measured by agreed upon tools/meters!

This doesn't appear to be the case with "sound" measuring devices.
"gets you half way there", it appears.
add the fact the ear doesn't hear like a measurement microphone anyway, global agreement on the importance of the data may never be agreed upon.

hopefully more inputs to come. thanks

...but it seems this poll/thread will show inconclusive results! :eek:
 
Cat,

> so at what point is this HR acoustic work futile? <

It's never futile. You'll run out of money and wall space long before you ever get your room perfectly flat. So you just do the best you can with bass traps and other acoustic treatment, then get back to making music.

> What would you consider resonable freq response for the "most home rooms"? +/-6db, +/-2db range? <

Again it depends on your budget. If you can get to within +/- 6 dB you're doing really well. I have 38 traps in my large (25 by 16 by 11) living room home theater, and the response is within about 10 dB total. But it's not only the raw response that matters. Just as important is avoiding ringing which EQ cannot do, and making the room's modal peaks as broad as possible.

> if the ETF is trusted, couldn't one use this on the JBL's to see if this new technology really works? <

Of course, and I've done that dozens of times. That's how I know EQ doesn't work! Here is what is arguably the most exhaustive assessment of this issue ever done:

www.realtraps.com/eq-traps.htm

> why is a 1/24th $3000 software better than a $150 1/24th octave software better than a $10 1/24th Ocatve software?? <

They may well be equally useful. Again, what matters most are raw response, modal bandwidth, and ringing. Any analyzer that can assess all three of these to 1 Hz resolution or better will work. Not to send people to my company's site, but there's an awful lot of information about all of this on the Articles page (under Acoustics Info). In particular, the article about how I use ETF explains this well, and you'll see what I was able to achieve in my living room.

--Ethan
 
COOLCAT said:
1)in my field if you can't fully "trust" the data its called Marginal and therefore results are inconclusive.(bad- underdeveloped- questionable-debateable).
2)How do you win the "trust" data?
You get whats called "confidence data".
3)How do you obtain "confidence data"?
Measurements.
Luckily, for the Semiconductor industry, voltages, current, and resistance is agreed upon by the global community and can be measured by agreed upon tools/meters!

This doesn't appear to be the case with "sound" measuring devices.
"gets you half way there", it appears:

I don't agree. I don't think so, anyway. :D

Ethan is obviously way ahead of me, but here's my feelings on the use of say a basic tool like an RTA. This is of course with a nod to the idea that none of this really tells you how things sound, as far as good or bad, and that flat isn't the goal, really.

It seems the interpretation is where many people fall down. They mistake their interpretation as "trust data". They base their interpretations on incomplete confidence data.



If you set up speakers in a room, set up a mic and RTA, and take a pink noise response reading, that's hard data. A very small amount, and almost useless by itself, but hard data nonetheless. That would seem to me to be the beginning of collecting a set of confidence data, not the end. A more complete set would be many measurements in different places.

Still, these mean nothing, really. More is needed, namely the response of the speakers by themselves. I don't mean looking at the stupid charts you get in the box. I mean taking them outside, away from reflections, up on stands, and measuring and listening to them. Say they sounded honky when they were in your room when you walked off-axis. Do they sound that way outside?

And for more confidence, map out your room on the ground, place the speakers inside where you plan to have them, and make a bunch of measurements and listen to them as if they were inside it, and so were you. Then do your inside measurements in the same spots as you did outside.

Now you have two sets of data, measurements taken from the same places, in a free space and in your room. I'd say you can be fairly confident that the differences in the data will be from the room's effects on the speaker's response.

All confidence data so far, if I understand the concept. And yes, I've done it, with all my PA speakers and my home monitors. With the PA speakers, I was looking to establish basic eq and crossover curves as a baseline. With the monitors, I just wanted to see what they were doing by themselves.

More sophisticated gear could give you most of this data much faster. I'm just trying to show how you can gain a higher level of confidence with even modest gear. But even with more sophisticated tools your "trust" data still needs to come from asking yourself questions and experimenting. Say you have a dip in response at 1k. From your confidence data, you have established it is happening in the room. How do you find it or fix it? How can you tell if it's due to a reflection from your console or table, or because your speakers are the perfect distance from the walls to affect 1k, or if it's bouncing off the ceiling?

Your trust data comes from investigating these possibilities to the point where you can say you trust that the dip in response has been traced, after gathering confidence data about each of the possible causes.

Seeing a cancellation dip and slapping some auralex on the walls is not using "trust data". It's making an interpretation based on incomplete data. At least that's what it seems like to me.

That's my personal beef with auto-eq, it can't gather enough "confidence data" to be effective, especially with regard to dips in response caused by cancellations. They do not respond to eq. I've seen more than one guy fry his subs by pushing the 63hz all the way up, not realizing that having his subs on a 2 1/2 foot stage was cancelling most of it out front. Nothing against it, anyone who says a system sounds better afterwards should probably be using it, because obviously they need help, but again, unless the person has walked around the whole listening area, and determined that indeed the change has helped overall, it's low-confidence data.

Wanna have some fun? Set up a Driverack, hook it to a speaker with no tweeter, and hit auto-eq. It will have a heart attack. Or move the mic around while it measures. Or put it down your pants. Good fun.
 
interesting troubleshooting or testing.

ok so you measure your speakers outside and then inside.
you see the change and can say "hey its the room!"
or vice versus, you may find your monitors, even outside in a great enviroment, has some issues.
that'd be a interesting test. decide if its the room or the monitor.

SO your definately a believer in the Measurement Devices and Data
...which one do you use for these tests?
Which model and what Mic?

What about your MIX SEAT, or PRIME SEAT?? How do you determine your data is real and its not overlooking ringing or modes or nodes?
 
Boingo:

Nice post, good points, and humorous too.

Cat:

> Which model and what Mic? <

You use a calibrated microphone so you know it's flat, or you can at least incorporate its known deviations into the final analysis.

> How do you determine your data is real and its not overlooking ringing or modes or nodes? <

This is the key. You need to measure to a fine resolution - not 1/3 octave - and you also need to display the time-based components. The graph below shows the exact same measurement displayed at both 1/3 and 1/12 octave resolution at the same time. Obviously, the 1/12 octave version looks worse, but it's closer to the true response. The ETF program I use resolves to 0.7 Hz, so the deviations are even larger and even more accurate than 1/12 octave.

--Ethan

art_mon3.gif
 
Thanks Ethan.
Picture is helpful.

From my understanding, those that believe in the measurement devices, tend to state the soundcard isn't a huge concern, the computer itself can be quite low-perfoming (old) and the measurement microphone not that critical, as long as its a "calibrated" measurement microphone.

Can anyone comment on this? yea/nay

Anyone done tests comparing "measurement microphones"?

As far as disagreeing with the EQ method, why do they put EQ on all the PRO STUDIO NEARFIELDS??

Rick!!! This isn't more marketing stuff? Plastic Bells and uneeded Whistles?
 
Cat,

> those that believe in the measurement devices, tend to state the soundcard isn't a huge concern, the computer itself can be quite low-perfoming (old) and the measurement microphone not that critical, as long as its a "calibrated" measurement microphone. <

First, "believe" is more appropriate for fairies and witches and gods. This is science, so someone either understands it or they don't. :D

It doesn't take much to measure a room. You need a signal to noise ratio of, say 40 dB or more, let's say 5 percent distortion or less, and an omnidirectional microphone with a response that's either flat or at least known. But the microphone is critical because it has to be not only flat or known, but hopefully also not vary depending on the angle the sound arrives from. Even with an omni model this is not something you can take for granted.

> why do they put EQ on all the PRO STUDIO NEARFIELDS?? <

Because so many people don't understand this stuff and want to believe (there's that word again) that EQ can fix their room problems. I'll add that many real pros do know better. Speakers like those new JBLs are targetted at project studio owners much more than pros. I suspect the vast majority of magazine readers and forum posters do not actually make a good living in audio.

--Ethan
 
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