Low cut?

  • Thread starter Thread starter SHEPPARDB.
  • Start date Start date
SHEPPARDB.

SHEPPARDB.

Well-known member
Could someone tell me about the function of the bass cut switch
inside condenser mics?
I know that"bass cut"is self explanitory.What I want to know is
when and why do you use it.
 
Bass cut (or roll off) is usefull......

in alot of situations.

For instance, if you are recording an acoutic guitar track or even and electric, most of the usefull sound information lies in the mid to upper range frequencies.....above 200hz or so.

It is usefull to roll off the lowest frequencies (either at the mic or from the preamp) because they will only contribute to muddiness and clutter in the bass range.

On all but the truest bass insrtuments (kick drum and bass guitar or a double bass......or synth bass), there just is not much "musical" sound comming from the lowest frequencies.

But the low frequency information that is present in these tracks will eat up a lot of headroom in the overall mix.

One you get below about 60hz you stop really hearing these frequecies so much as feeling them.
....which can be used to great effect, as in a lot of dance music.

Most roll off switches will attenuate sounds below 60-100hz depending on the device.

This range is also where a lot of "handling noise" comes in and using bass cut or roll of can reduce the presence of this noise.......also why shock mounts are good to use with sensitive mics.

Hope this helps.

-mike
 
Bass cut or high pass filter, either on a preamp or a mic, attenuates a selected frequency range, usually somewhere between 40hz and 180hz. What you use it for depends partly on taste, and partly on what frequency band you're cutting. A lot of people, including myself, will cut an acoustic guitar, especially a jumbo or dreadnought at 140hz or so, to decrease "boom" the overloading of the channel with bass as the mic approaches the soundhole. It allows you to position the mic a little closer to the soundhole, and produces a different kind of sound. A lot of others will use bass cut, say 40hz-80hz, kind of as an electronic shock mount on a vocal mic. Most singers have very little output in the 40hz range, even harmonic undertones, so it doesn't do much to the vocal track, but attenuates low frequency handling noise, mic stand bumps, and dumb foot tapping.
You can use bass cut on anything that simply produces too much bass or anything that *never* produces bass, such as a piccolo. If you've got bass on a piccolo track, you can be pretty sure it's unwanted noise. What the hell, why not cut it? I've seen it used very effectively on a 3 mic setup for piano. A matched XY pair, and a third mic, omni, bass cut, and blended to taste. It was lovely.-Richie
 
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