P
pneumatic
New member
I have been told by a sound engineer that a very important part of the sound
(the transient) is often lost in digital recordings because it is faster then the record meters and as digital is unforgiving, unlike tape, you should record percussive instruments at minus 12 to minus 16 db.
My question would then be this; Does the same apply to mixing down within audio software ? Should the mix down go no higher then minus 12 to minus 16db too?
(the transient) is often lost in digital recordings because it is faster then the record meters and as digital is unforgiving, unlike tape, you should record percussive instruments at minus 12 to minus 16 db.
My question would then be this; Does the same apply to mixing down within audio software ? Should the mix down go no higher then minus 12 to minus 16db too?
However, I'm now recording at lower levels. Rarely peaking past -6dBFS on the master output (which means that the individual channels are usually lower, around -10dB or below) and the quality of my mixes has improved. Somehow they sound more open.