
Yo RS:
Before digital, I mixed to tape. Depending on your gear, you can lose a great deal or just a little.
What you need for a good tape dub: Good tape. Sony UX Pro is almost impossible to find but I found it to be very good tape because it had a very good transport system within the cassette--many other brands of tape had poor tape and poor transport systems which leads to a poor dub.
I've never worked with a DAT but that was the "going" box for a while. I even joined the DAT club to keep the format in public hands. But, DAT quickly faded although there are still DAT boxes around and they should do a good job if you know what you are doing.
Some gear will let you burn "hot" to tape. I always did that and did not have too much trouble with clipping. But, I was using an 8 track Tascam 488 then.
I can still dub to tape from the SIAB Yam 2816 and I get a decent copy. Again, I dub the tracks hot, right up there in the clip zone. It is a savings when you need one song to send to someone and you dub to tape. I don't like to do one song on an 80 minute CD but sometimes we do what we need to do.
I recently sent an arrangement I did to a friend who sings and he dubbed the music from my tape into a CD and sang the song. Came out great.
I guess the bottom line is you need to try and experiment and see what happens with the gear you are using. There are many possibilities and discovering a few good moves makes for a lot of fun.
Green Hornet
