Live sound - dealing with criticsm

  • Thread starter Thread starter williamconifer
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Then there was the time I was running lights for "Great White" at The Station--a West Warwick, R.I nightclub. The band decides to use pyro cannons...INDOORS, and I...

...no wait, that wasn't me.
 
Great road tales. Inf**king-credible.
Just reinforces my belief;
It should be called "Damage Control" not "Live Sound"
:D
Wayne
 
I had a friend doing video in a small town arena, and the sound company brought in about 70 EAW 850s and subs. Everything being driven by Crown power amps, of course. My friend was walking around back stage, and asked one of the sound guys, "should your power amps all be smoking." The sound company blew him off as a video guy (a big mistake, as this guy makes most of his money doing sound). When they ran the first sound through the system, there was a VERY big bang, and then nothing. They latter figured out that no one had thought change the generator from 480V to 240V.

The moral: learn who you are working with, and listen to people who have a clue (particularly if you don't).


Light

"Cowards can never be moral."
M.K. Gandhi
 
Light said:

The moral: learn who you are working with, and listen to people who have a clue (particularly if you don't).
Light
"Cowards can never be moral."
M.K. Gandhi
Sometimes if you're not part of the local 'click' you get the brush off. In a club one evening, I told the sound guy his main high driver was out on one side, got the 'yea sure' look. About 20 minutes into the set, I see these two guys poking their heads in the cabs, running around...
:)
Wayne
 
OK your stories beat mine, but I don't get paid to do this, and this was just last night . . .

OK, so like I said, I just do volunteer stuff, which always substandard gear, which is normally OK, I can deal with it. At this particular venue, they had a 20 ch Mackie board, rack of Crown amps, hardwired mic jacks and monitor sends, thought this would be the best gig ever. At the first rehearsal I learn that most of the mic jacks don't work, and the Mackie is in a totally impractical location for mixing. OK, no problem, I bring my lowly 12 ch board instead and find a couple of functional plugs to sub into the Mackie. Also I should mention that most of the abundant power outlets don't work which is scary as hell, but I only need one so I don't care. First rehearsal goes fine.

Second rehearsal is good, I am loving life because by now I've had like 5 hours of soundcheck and things sound good. Unfortunately near the end, the monitors go out, which I eventually diagnose to the monitor send outlet (big surprise).

So for the show I bring a fresh jack and my soldering iron and swap out the old one, monitors are working fine. In the meantime I do a couple of dumbass things like leaving my mic case at home (the spouse brought in time) that increase my stress level but don't hurt otherwise.

So then like 5 min to curtain the monitors let go again, I pull the recording guy to help with the problem. Both of us are laying on our guts hardwiring the monitor cable into the wall as the new jack I brought also doesn't seem to work. 10 mins late, we get it working, I bring up the levels, everything is OK, then like 2 mins later, hideous violently loud feedback runs through the monitors. Still don't know why that happened, but it was OK from there. Sounded good actually. After all, I had 5 hours of soundcheck . . . it's 15 hours later and I still want to cry. . . it'll be a long time before I use a system I don't know again!
 
OK so I looked at the new jack that failed . . . the tab for the tip connector broke off. Freakin' brand new Neutrik 1/4" outlet that's a piece of trash after 2 minutes. Grrrrrrr.
 
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