Bristol Posse
Okey Dokey
I haven't recorded one of my little crappy, happy Brit pappy songs in a while. Been travelling a ton for work plus I've been focussing more on playing out. People seemed to like this one when I mixed it in with some covers in a coffee house set so I figured I'd have a crack at recording and arranging it.
I decided to make it using the K.I.S.S (keep it simple stoopid) principle:
So with that in mind I used no VSTi except drums because I don't have a real Kit. Everything else was real instruments Mic'd and each track was done in one pass (after a good deal of rehearsal). No punch ins and no comping tracks together to make a perfect "Frankentrack"
I tried to get as much of the EQ and in some case stereo field placement as possible from where I placed the mics and instruments
I limited myself to 24 tracks, if I needed more track space, I had to commit to a decision and bounce multiple parts down into a single track to make room for the new material
Come mix time I used one plugin (on multiple tracks) which was the waves SSL channel strip (EQ, Comp & Gate)
Reverb came from the space I was in
I also used 2 channels of hardware EQ(Speck ASC) and compression (ART Pro VLA)on the main vox and bass
I used a hardware bus compressor on the drums (Chameleon Labs 7720)
I summed through a DBox and the final mix passed through another bus comp (A second 7720) on the way back to reaper to record
I kind of like recording this way with much fewer options and more emphasis on tracking, it felt less like a tech job
Anyway enough of my babbling this is the mix
Little Boat
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