Rokket
Trailing Behind Again
Tim, the monsieur is a madame....Timothy Lawler said:
X
XLR
______
Pardon.
Je suis très désolé, madame
Merci infiniment du commentaire aimable.
Tim
true-eurt
Maneater
..Impressive...........ocnor said:
true-eurt
Maneater
Graag gedaan....oh wait , thats dutch...Cela ne fait rien....???.......Timothy Lawler said:Pardon.
Je suis très désolé, madame
Merci infiniment du commentaire aimable.
Tim
true-eurt
Maneater
Beagle... razzle-dazzle........ 
X
xfinsterx
New member
An ibanez through amplitube and some verb through the pres on the digi 002.Timothy Lawler said:
Rokket
Trailing Behind Again
He's trying to say he's sorry for calling you a dude...true-eurt said:Graag gedaan....oh wait , thats dutch...Cela ne fait rien....???.......
true-eurt
Maneater
Rokket said:He's trying to say he's sorry for calling you a dude...
I'm a dudette...
I was saying your welcome...for him saying thank you...for the compliment I gave him...on his submission.....
...........
ocnor
Lord Of The Thighs
Fender HM Strat>Digitech 2120> Audiophile 2496 soundcard. The FX that I used were: Flanger,Phase Shifter, Delay,Reverb.Timothy Lawler said:
apl
Stand Up Comity
mshilarious said:
Nuts. I was hoping that I could slip by unnoticed...
mshilarious
Banned
apl said:
Heck, before this thread is gone, I'm getting Jesse Michael Garcia to enter!
X
XLR
______
Hey, we want more.
It's pretty quiet here for a Rumble.
After the rumble's over, it'd be cool to to hear a compilation edit/mix of entries done over the same tune. Could be very interesting with the guitarists trading figures or phrases in an extended version.
Tim
It's pretty quiet here for a Rumble.
After the rumble's over, it'd be cool to to hear a compilation edit/mix of entries done over the same tune. Could be very interesting with the guitarists trading figures or phrases in an extended version.
Tim
Rokket
Trailing Behind Again
hmmmm....Timothy Lawler said:
apl
Stand Up Comity
I'm going to try to get something over the weekend.
apl
Stand Up Comity
OK, now I'm down about it. Soloing with this music is over my head. My best solos are in How Do I Rate, and they're not all that great.
Rats.
Rats.
Rokket
Trailing Behind Again
Post it anyway! I will if you do!apl said:
famous beagle
Well-known member
apl said:
I can really hear the Neil influence in your stuff.
X
XLR
______
apl, I've heard your music and liked it. Hope you do a solo. Looking forward to hearing it...
Tim
Tim
Last edited:
Rokket
Trailing Behind Again
I'll give you something to laugh about in a couple days...Timothy Lawler said:
X
XLR
______
I never said anything about my approach to my Rumble solo, so thought I would... Backing track was in F minor and major. I capo’d at the first fret and played in E, so my discussion here is in that same key. As I was working it out I jotted down a rough sketch of my ideas as they were occurring to me, so I’ve included that below. The solo's here if you want to hear it.
In measures 1-6 I just outlined an E minor arpeggio, adding some chromatic “flicks” for variety, then an E melodic minor scale to intensify the run up to a high point at the end of the passage.
Measures 6-9 started with G major triad arpeggio tones ornamented in a similar way, then a simple chord-based tremolo at the end to get more aggressive with the volume and range to try to draw attention away from the keyboard part.
Measures 10-13 were just arpeggio tones again, keeping the motivic use of the chromatic “flicks” to add artificial complexity (ha), then a slurred G major scale descending in triplet 16ths to end the phrase with more rhythmic intensity.
Measures 14-17 are a recap of bars 2-5.
Then a measure of transition to E major where I just stumbled around with ascending arpeggios and tried to land somewhere that wouldn’t be too awkward to escape from.
In measures 19-26 I paraphrased another piece, El Colibri, using repeated notes on chord tones in the key of E major (though Colibri’s in E minor), sliding from one to another and adding a few of the same chromatic quick flicks to give the illusion that my ideas were somehow stylistically unified throughout.
Did 4 takes and used parts of each in the editing. Arranging took about an hour, same for tracking/editing.
Tim
In measures 1-6 I just outlined an E minor arpeggio, adding some chromatic “flicks” for variety, then an E melodic minor scale to intensify the run up to a high point at the end of the passage.
Measures 6-9 started with G major triad arpeggio tones ornamented in a similar way, then a simple chord-based tremolo at the end to get more aggressive with the volume and range to try to draw attention away from the keyboard part.
Measures 10-13 were just arpeggio tones again, keeping the motivic use of the chromatic “flicks” to add artificial complexity (ha), then a slurred G major scale descending in triplet 16ths to end the phrase with more rhythmic intensity.
Measures 14-17 are a recap of bars 2-5.
Then a measure of transition to E major where I just stumbled around with ascending arpeggios and tried to land somewhere that wouldn’t be too awkward to escape from.
In measures 19-26 I paraphrased another piece, El Colibri, using repeated notes on chord tones in the key of E major (though Colibri’s in E minor), sliding from one to another and adding a few of the same chromatic quick flicks to give the illusion that my ideas were somehow stylistically unified throughout.
Did 4 takes and used parts of each in the editing. Arranging took about an hour, same for tracking/editing.
Tim