Let's get ready to RUMBLE!

  • Thread starter Thread starter mshilarious
  • Start date Start date
Timothy Lawler said:
Pardon. :eek: :eek:
Je suis très désolé, madame

Merci infiniment du commentaire aimable.

Tim
Graag gedaan....oh wait , thats dutch...Cela ne fait rien....???....... ;)
 
Timothy Lawler said:
Hey xfinsterx and ocnor, how about posting something about your rec chain, processing, etc.? I'm interested in how you got the tones you did.

Tim
An ibanez through amplitube and some verb through the pres on the digi 002.
 
true-eurt said:
Graag gedaan....oh wait , thats dutch...Cela ne fait rien....???....... ;)
He's trying to say he's sorry for calling you a dude... ;)
 
Rokket said:
He's trying to say he's sorry for calling you a dude... ;)

I'm a dudette... :p

I was saying your welcome...for him saying thank you...for the compliment I gave him...on his submission..... :D ...........
 
Timothy Lawler said:
Hey xfinsterx and ocnor, how about posting something about your rec chain, processing, etc.? I'm interested in how you got the tones you did.

Tim
Fender HM Strat>Digitech 2120> Audiophile 2496 soundcard. The FX that I used were: Flanger,Phase Shifter, Delay,Reverb.
 
mshilarious said:
OK now that the talented people have gone, it's up to me and apl to settle the score! Stay tuned . . .

Nuts. I was hoping that I could slip by unnoticed...
 
apl said:
Nuts. I was hoping that I could slip by unnoticed...

Heck, before this thread is gone, I'm getting Jesse Michael Garcia to enter!
 
Hey, we want more.

It's pretty quiet here for a Rumble.

After the rumble's over, it'd be cool to to hear a compilation edit/mix of entries done over the same tune. Could be very interesting with the guitarists trading figures or phrases in an extended version.

Tim
 
Timothy Lawler said:
Hey, we want more.

It's pretty quiet here for a Rumble.

After the rumble's over, it'd be cool to to hear a compilation edit/mix of entries done over the same tune. Could be very interesting with the guitarists trading figures or phrases in an extended version.

Tim
hmmmm.... :cool:
 
OK, now I'm down about it. Soloing with this music is over my head. My best solos are in How Do I Rate, and they're not all that great.

Rats.
 
apl said:
OK, now I'm down about it. Soloing with this music is over my head. My best solos are in How Do I Rate, and they're not all that great.

Rats.

I can really hear the Neil influence in your stuff. :)
 
apl, I've heard your music and liked it. Hope you do a solo. Looking forward to hearing it...

Tim
 
Last edited:
Timothy Lawler said:
apl, I've heard your music and liked it. Hope you do a solo. Looking forward to hearing it...

Tim
I'll give you something to laugh about in a couple days... :o
 
I never said anything about my approach to my Rumble solo, so thought I would... Backing track was in F minor and major. I capo’d at the first fret and played in E, so my discussion here is in that same key. As I was working it out I jotted down a rough sketch of my ideas as they were occurring to me, so I’ve included that below. The solo's here if you want to hear it.

In measures 1-6 I just outlined an E minor arpeggio, adding some chromatic “flicks” for variety, then an E melodic minor scale to intensify the run up to a high point at the end of the passage.

Measures 6-9 started with G major triad arpeggio tones ornamented in a similar way, then a simple chord-based tremolo at the end to get more aggressive with the volume and range to try to draw attention away from the keyboard part.

Measures 10-13 were just arpeggio tones again, keeping the motivic use of the chromatic “flicks” to add artificial complexity (ha), then a slurred G major scale descending in triplet 16ths to end the phrase with more rhythmic intensity.

Measures 14-17 are a recap of bars 2-5.

Then a measure of transition to E major where I just stumbled around with ascending arpeggios and tried to land somewhere that wouldn’t be too awkward to escape from.

In measures 19-26 I paraphrased another piece, El Colibri, using repeated notes on chord tones in the key of E major (though Colibri’s in E minor), sliding from one to another and adding a few of the same chromatic quick flicks to give the illusion that my ideas were somehow stylistically unified throughout.

Did 4 takes and used parts of each in the editing. Arranging took about an hour, same for tracking/editing.

Tim
 
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