Yeah, I'm actually David Bowie doing my best Billy Joel impression.
I think we're all a confluence of our influences, and Ziggy Stardust is IMO in the top 5 of best rock albums ever made.
The drums are actually live, and performed by a real drummer.
The background harmonies (save the second verse) were provided by Tjarko Busink (as well as the bass), and he's the foundation upon which this tune is built. He's phenomenal.
In each background section, there are roughtly three parts each ... call them low/med/high harmonies. Each part was doubled live -- so there are six tracks in total -- and each part has one track panned all the way left, and the other panned all the way right. All the tracks are sent to a master sub buss, which is then sent onto the master bus.
The sub mix is eq'd to have a lot of the lows pulled out ... so as to thin the energy out a bit on the low end (there are a lot of tracks at work) but I accented some of the highs because it's a dense mix, and the bgvs need to fight through for attention.
Directly patched into the submix effect panel is a limiter set very hard ... which makes things loud, yet more two dimensional. This is effective on bgvs because it allows easy locational placement in and behind ... yet not so dominating as to overwhelm. It also "evens" the harmonies ... blends the tones together so that one doesn't stick out more than the others.
Lastly, this compressed signal is again auxbussed out to a very wide chorus (which is sent on to the master bus) ... and blended to suit in behind for tonality and richness ...
... and that's how they came to sound how they sound ...
... btw ... no violinists were harmed in the making of this ...
I plan on giving your tune a listen later, but I've been at full run lately. I've barely had time to tend to my own stuff.
Best,
Kev-