metalj said:
I think a good all tube fender, or musicman amp with alot of clean headroom is almost just as important as your guitar choice for that sound.
For sure use a Tele or hollowbody Gretchish guitar. THe P-90's are great pickups, but may distort your amp sooner than most singles.
Big Kenny also suggested a Tele, as did someone replying one of my posts at the Surf Guitar 101 forums, and I have 2 Teles to chose from...a Squier Fat Telecaster (Fender American Telecaster HS knock-off), and a MIM Fender Telecaster. For the Squier I have GFS Lipsticks and a Fender 4-way switch, and for the Fender I have DiMarzio Twang Kings and a Fender 4-way switch. If the GFS Lipsticks perform anything like Seymour Duncan Lipsticks (for Strats), I should get some good rockabilly tones out of the Squier.
Another reply to my Surf Guitar 101 post suggested that Strats also sound great for rockabilly. I currently have a used MIM Fender Stratocaster on lay-away, with 2 or 3 payments to go. I'll be using my Strat quite a bit, with my (Fender) Tele...Tele lead/Strat rhythm, Strat lead/Tele rhythm...for country and psychedelic, but from what folks are telling me, about playing rockabilly, with two Teles and a Strat to chose from, I'll not want in being able to dial-in just the right rockabilly tone, for any given rockabilly creation. Since a Strat has a tremelo arm, it's likely I'll use the Strat quite a bit for surfabilly. I'm just trying to decide on which combination (neck/middle/bridge) of Seymour Duncan pickups to use, for the Strat - Lipstick/Lipstick/Lipstick, Vintage Rails/Vintage Rails/Twang Banger or Vintage Rails/Vintage Rails/Vintage Rails.
As to Les Paul for rockabilly, I wouldn't be the first. Carl Perkins used a P90 equipped Les Paul, as well as a Stratocaster, for rockabilly. In that, Carl's LP had a typical LP carved top, while the one I tried has a flat top, but I'll go out on a limb and say it's the P90s that are responsible for the good rockabilly tones from a Les Paul. I don't see myself buying a Vox Valvetronix AD30VT anytime soon, although that's what I'd tried the Peavey JF-2 EXP through, as well as ALL of the guitars I tried out at Guitar Center (Strats, Teles, '72 Tele Deluxe, Ibanez Artcore AFS75T, Epiphone AlleyKat, Gibson LP Melody Maker,
Gibson SG Classic, Gibson LP FDC). The only reason I tend to test drive through the Vox is 'cause it's the closest to
my Peavey TransTube 258 EFX I have at home. From two years of experience with the Peavey, dialing up and tweaking the effects are MUCH easier to do, than with the Vox.
With the Peavey JF-2 EXP eliminated from my to-buy list, my 6 years of G.A.S. (Guitar Acquisition Syndrome) will come to an end at 15 guitars/basses in my collection, instead of 17, once I add a baritone, lap steel and electric 12-string to the collection. I'll be selling my Squier Bullet Special, sometime soon, since I've bought a Fender So Cal Speed Shop Strat, and I don't really need 2 guitars having the same configutation. Who knows...maybe some aspiring Tom DeLonge wanna-be will greatly appreciate
the Squier Bullet Special, if they get tired of being out-bid on eBay, for a Fender Tom DeLonge Strat.
Matt