Layered Mixing

  • Thread starter Thread starter walters
  • Start date Start date
dgatwood said:
I can understand the questions. Some of them are a little newbie, but they're not that bad.

That said, it's still pretty f**king funny. :D
Click to expand...

Ok, dgatwood... I'm starting to worry about you. ;)
 
yea i don't want to do that layer because what you want me to do is
called "out-take doubling" were you do another out-track of the same
part with the same voicing or different chord voicing


Im trying to do a Post production Layering doubling or tripling effects
its Post Production way of routing and Y cords to different channels
to create layering by using the send and returns using Y cords or
daisy chaining send and returns of different tracks and channels
to create layering

your way is a pre production out take doubling
doing a different out take of the same part i know that thats basic

Do you know how i can do it the way i want to by post production
using the same part and playing it back on the DAW and using
send and returns to Y cord out to different tracks or use daisy
chaining send and returns to copy the track 5 or 7 times in real time
so it layers in post production so it Triple tracks the same part in
real time by Y cords and Daisy chaining?
 
walters said:
Do you know how i can do it the way i want to by post production
using the same part and playing it back on the DAW and using
send and returns to Y cord out to different tracks or use daisy
chaining send and returns to copy the track 5 or 7 times in real time
so it layers in post production so it Triple tracks the same part in
real time by Y cords and Daisy chaining?
Click to expand...

If your DAW supports busses, you should be able to send the output of the track to a bus, add multiple aux tracks, and set the input for those aux tracks to come from the bus. At that point, you now have multiple tracks with the same signal, which you can process with whatever effects you want to use.

To daisy chain one track to another, you basically just do the same thing. Send the track output to a bus and create an aux track that takes its input from that bus.

The details depend on your DAW, and would be more appropriate in a section specific to your DAW....

If your DAW doesn't support busses, pretty much all you can do is copy and paste one track into another track and zoom in repeatedly while adjusting the new track until it is completely lined up with the original.
 
Can you say it again step by step

Y cord Bussing ?


Daisy Chain Bussing?


im confussed about the input and output of the track the DAW has
a maxtrix bussing system in it i just didn't understand what you ment
really

can you say it again more detail
 
walters said:
Can you say it again step by step

Y cord Bussing ?
Click to expand...

Set the source track to send its output to a bus.

Source track -> bus 1
​
Then create multiple Aux tracks. (An aux track is a special type of track that just passes the input directly to the output, possibly adding effects along the way.) Set the aux track inputs to come from the bus, i.e.

Aux track 1 <- bus 1
Aux track 2 <- bus 1
​
So by sending the source track to a bus, you can then create as many aux tracks as you want that just act like copies of the sound from the bus (in this case, bus 1). Since the bus gets its sound from the original track, this is basically the same as splitting the track two ways (to the two aux tracks).


walters said:
Daisy Chain Bussing?
Click to expand...

Track -> bus -> aux track -> bus -> aux track -> bus -> aux track
​
as often as needed until you have built up a long enough effects chain to do whatever you want to do.
 
Very nice man thanks so much for your time and information


I was thinking i think maybe to make the layering more of layering effect
would to have regeneration tracks like feedbacking some of the
duplicated tracks back to other tracks to make it really layer alot

How would i set of the Bussing to Do Multiple Regeneration feedbacking
loops

I guess it would need a summing amp so it won't oscillate the DAW

This would be a major help for me thanks so much

to have like 5 or 7 regeneration sends and returns so i can really
layer those sounds alot ?
 
The best help you can get will be to READ THE MANUALS for your equipment, then go to the links at www.Soundcraft.com I gave you earlier and READ THE MATERIAL THERE.

Then go to http://www.prosoundweb.com/
Enter the study hall, and READ THROUGH THE ARTICLES in "Audio Basics" and "Recording"

That way you'll learn the terminology, have most of your questions answered, and have the vocabulary you need to post further questions in clear and unambiguous language.
 
"I was thinking i think maybe to make the layering more of layering effect "

He does not speak english. I think he is pulling our chain and making us look like idiots for talking to him.
 
his last few questions have actually been real questions at least...i think progress has been made
 
He is testing your knowledge...He asks the question, and you are to give your answer....I want to know...so tell me the answers.please.baaaaaby.. :D
I really do want to know.....
 
using Regeneration or feeding the ouput back to the input

Track#8 output>>>delay unit>>>>>summing buss>>>>track#1 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#2 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#3 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#4 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#5 input
or Aux input

what summing buss would let me do this with a variable resistor
so i can adjust how much i want feed into the aux or input track?
 
walters said:
using Regeneration or feeding the ouput back to the input

Track#8 output>>>delay unit>>>>>summing buss>>>>track#1 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#2 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#3 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#4 input

Track#8 output>>>delay unit>>>>summing buss>>>>>track#5 input
or Aux input

what summing buss would let me do this with a variable resistor
so i can adjust how much i want feed into the aux or input track?
Click to expand...


I don't suppose you'd want an essay on layered mixing, would you?




.
 
An essay on feedbacking in layered mixing​


Think back to the first time you ever heard of feedbacking in layered mixing. At one stage or another, every man woman or child will be faced with the issue of feedbacking in layered mixing. While much has been written on its influence on contemporary living, its influence on western cinema has not been given proper recognition. Inevitably feedbacking in layered mixing is often misunderstood by those politicaly minded individuals living in the past, who just don't like that sort of thing. Keeping all of this in mind, in this essay I will examine the major issues.

Social Factors

Society is our own everyday reality. When blues legend 'Bare Foot D' remarked 'awooooh eeee only my dawg understands me' [1] he saw clearly into the human heart. A child’s approach to feedbacking in layered mixing cleary plays a significant role amongst the developing middle classes.

Primarily feedbacking in layered mixing builds trust among the people. It is intrinsically linked to adolescent inner acclimatisation.

Economic Factors

Derived from 'oikonomikos,' which means skilled in household management, the word economics is synonymous with feedbacking in layered mixing. We will primarily be focusing on the Watkis-Teeth-Pulling model, as is standard in this case. Inflation

feedbacking in layered mixing


Indisputably there is a link. How can this be explained? Recent studies indicate that inflation world wide are driven entirely by feedbacking in layered mixing. Assumptions made by traders have caused uncertainty amongst the private sector.

Political Factors

Machiavellian politics is rife. Are our leaders justified in pursuing and maintaining political power? Comparing feedbacking in layered mixing and much of what has been written of it can be like comparing feedbacking in layered mixing and political feeling.

It is always enlightening to consider the words of a legend in their own life time, Esperanza Rock 'consciousness complicates a myriad of progressions.' [2] He was first introduced to feedbacking in layered mixing by his mother. If feedbacking in layered mixing be the food of politics, play on.

Where do we go from here? Only time will tell.
Conclusion

To conclude, feedbacking in layered mixing must not be allowed to get in the way of the bigger question: why are we here? Putting this aside its of great importance. It establishes order, puts out 'fires', and never hides.

As a parting shot here are the words of super-star Beyonce Schwarzenegger: 'I would say without a shadow of a doubt: feedbacking in layered mixing ROCKS!!! [3]



--------------------------------------------------------------------------------

[1] Bare Foot D - Classic - 1967 Stinton Records

[2] Rock - Roll It Up - 1977 - F. Lower Publishing

[3] Your feedbacking in layered mixing - Issue 43 - Never Ever Publishing
 
lmfao... where do you dredge those essay's up from? they coulda gotten me through college damn it... :rolleyes:
 
Theros said:
lmfao... where do you dredge those essay's up from? they coulda gotten me through college damn it... :rolleyes:
Click to expand...

An essay on dredging up an essay​


I shall now enrich your life by sharing with you about dredging up an essay. There are many factors which influenced the development of dredging up an essay. Indispensable to homosapians today, spasmodically it returns to create a new passion amongst those who study its history. Often it is seen as both a help and a hinderence to those most reliant on technology, who are yet to grow accustomed to its disombobulating nature. At the heart of the subject are a number of key factors. I plan to examine each of these factors in detail and and asses their importance.

Social Factors

As Reflected in classical mythology society is complicated. When The Tygers of Pan Tang sang 'It's lonely at the top. Everybody's trying to do you in' [1] , they borrowed much from dredging up an essay. Spanning divides such as class, race and uglyness, dredging up an essay bravely illustrates what we are most afraid of, what we all know deep down in our hearts.

Nothing represents every day life better than dredging up an essay, and I mean nothing. To put it simply, people like dredging up an essay.

Economic Factors

There has been a great deal of discussion in the world of economics, centred on the value of dredging up an essay. We shall examine the Maiden-Tuesday-Lending model. For those of you unfamiliar with this model it is derived from the Three-Amigos model but with greater emphasis on the outlying gross national product. Interest

dredging up an essay


How do we explain these clear trends? Obviously interest sings a very different tune. Many analysts fear a subsequent depression.

Political Factors

Much of the writings of historians display the conquests of the most powerful nations over less powerful ones. Looking at the spectrum represented by a single political party can be reminiscent of comparing the two, equally popular approaches to dredging up an essay. If the reader is unaware of these, they need only to turn on the television, or pick up a newspaper or popular magazine.

Consider this, spoken at the tender age of 14 by the star of stage and screen Achilles Skank 'consciousness complicates a myriad of progressions.' [2] He was first introduced to dredging up an essay by his mother. It is a well known 'secret' that what prompted many politicians to first strive for power was dredging up an essay.

Is dredging up an essay politically correct, in every sense? Each man, woman and to a lesser extent, child, must make up their own mind.
Conclusion

We can conclude that the dredging up an essay is both a need and a want. It fills a hole, 'literally' plants seeds for harvest, and it brings the best out in people.

I'll leave you with this quote from Britney Poppins: 'It's been nice educating you.' [3]



--------------------------------------------------------------------------------

[1] Tygers of Pang Tang - The Cage - 1982 MCR Records

[2] Skank - Politics for Dummies - PV6 Media

[3] Sham Magazine - Issue 124 - Monkey Books
 
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