Okay... This might be rough.. But don't worry... It's all CONSTRUCTIVE critism... Just be patient with what I say..
TAKE DOWN THAT FRIGGIN' BANNER ON YOUR WEBSITE
"CHE FRONE MOTHAFUCKA'!" <-------this one!
Okay so some kid would dig your stuff but he can never go to your page cause his mom is right over his shoulder ... He has headphones though!
Walrus:
1. The Beatles' copyright holder hates you (and they hate me and Talib Kweli too)....
2. Think about running up stairs. Music can be compared to a flight of stairs. Okay, so you run up the first half. There will be a platform as you turn around and start climbing again. Just like that, you got a short rest, short enough to make that second half less difficult than if the stairs were continous. Basically, SWITCH UP FRIGGIN' FL Studio thing that is on the 16th notes... Give it a break in the verses... Here's a thought.. Do it for 4 bars and drop it for the verse... Then bring it back for the chorus... Really, this kills the musical value of most any song (I have problems with this too)...
3. Are you sure you're using a pop filter (and correctly)?
4. You have little or no lyrical connection to the sample... Unless, you're a chart topper, this will never work.
5. STOP OVERDUBBING THE FLOWS during a verse (or get a whole lot better at pulling it off)!!! Picture this: Based on the success of your album (locally or otherwise) you are challenged to a freestyle competition or invited to perform live. You have two big problems as a result of your overdubbing.. #1 is that you aren't able to stay focused enough on stage because you didn't step your game up when you were recording the album enough to "go the distance". ....#2 That guy you're battling, if it's a competition, is gonna use your overdubbing in a rhyme that will drop you to your knees...The key is the WHOLE THING.... Yeah, hard..... How bad do you wanna sound good?
6. Give up stressing the tail end of each bar the same EXACT WAY for more than a few bars... It gets monotonous....QUICK! This is really only a problem for the first verse...
7. When you say what DC is talkin' "about", you sound Canadian.... NOT GOOD... Being white is bad enough....commercially speaking that is... (Hey.. I'm white too... just saying!)))
8. Vibe when you're tracking you vocals BUT DOWN LEAN SO FAR IN! Especially when you're saying something louder already (Really man.. Think about it...)...You wanna do the opposite.. It's called working the mic...
Now... I know that was harsh... Here's some good stuff...
1. It's stuck in my head already.... (Could be the Beatles connection doing that though)...
2. Good use of the sample for what you're doing and saying...
3. The quickest flow in the song is pretty good.
4. The clap in same section works very well.. Don't pan it left and right so much.. Or try to bring it further up in the mix (in the center)...
Okay... I've posted enough... I peeped the other track... It's much better but you are WAY DEEP in the mix and those synth runs (the left and then right ones) need to be lowered A LOT..
Right on bro.. Keep on the grind... Don't hate me man... I think you're stuff is worth pursuing... Ya just need to broaden your skills and find a target audience... Not too many males over 18 would jump on that bandwagon without doing further development to your style....
-Peritus