ashcat_lt
Well-known member
No. Autopunch is different, and I never use it.
More like this:
But a lot of times I'll just loop the whole damn song, and I like to have a count in or lead time and a bit of space at the end to either "play out" for more seemless comping or just to let things ring.
That's something to think about any time you're comping, and especially if you're just doing a section of a piece, whether with autopunch or loop or even just dropping in. It's almost always best to actually play (and record) into and out of the section you're trying to capture. You can then adjust the precise point where it switches between takes, and things like ringing strings, delays or verbs will carry through and sound closer to correct and it will be a lot easier to get natural sounding seemless comps.
More like this:
But a lot of times I'll just loop the whole damn song, and I like to have a count in or lead time and a bit of space at the end to either "play out" for more seemless comping or just to let things ring.
That's something to think about any time you're comping, and especially if you're just doing a section of a piece, whether with autopunch or loop or even just dropping in. It's almost always best to actually play (and record) into and out of the section you're trying to capture. You can then adjust the precise point where it switches between takes, and things like ringing strings, delays or verbs will carry through and sound closer to correct and it will be a lot easier to get natural sounding seemless comps.