S
smtcharlie
emotion over sonics
tone_alot, as you can see, there is much debate on this topic. There is at least one thread going at all times around here where someone asks, "should I get a better mic, or a better pre-amp, or a better, etc, etc, etc..."
And then there are a thousand opinions. Different gear works for different people - that's the beauty of all of this.
I think better pre-amps make tracks sound more "alive" in the details - a berry to a DMP3 (I have owned both) difference isn't going to blow your mind immediately when you plug it in.
When I first bought a Tampa, I recorded a few test tracks with it, a DMP3, and a Blue Tube. And with just one track, the difference was fairly slight. I was pretty upset, really.
But, I just did a re-mix of an old song today which I recorded on all Blue Tube pre's...and it sounded like a muddy mess. Things I'm doing with more Tampa end up much better.
So....for whatever that's worth...
And then there are a thousand opinions. Different gear works for different people - that's the beauty of all of this.
I think better pre-amps make tracks sound more "alive" in the details - a berry to a DMP3 (I have owned both) difference isn't going to blow your mind immediately when you plug it in.
When I first bought a Tampa, I recorded a few test tracks with it, a DMP3, and a Blue Tube. And with just one track, the difference was fairly slight. I was pretty upset, really.
But, I just did a re-mix of an old song today which I recorded on all Blue Tube pre's...and it sounded like a muddy mess. Things I'm doing with more Tampa end up much better.
So....for whatever that's worth...