whoa, shit man....hold the presses...you got a hell of an Edward incarnation you are recording there holmes. Alright, it is hard to be objective when I love early VH so much, and completely focus on the engineering aspect instead of comlimenting the oh so sweet tone an playing of the guitarist doing these tracks...others as well, but damn that guitar tone, not to mention the playing, but the tone is really what shines as Edward. You don't have to do this because I am going to give you my honest opinion anyway, but just for shits and giggles, tell me what the guitarist is going through to get that tone?
Anyway, mixwise and even bandwise this is what I will offer....mix sounds great on everything except for the vocals, if you are shooting for a tribute with Diamond DAve. Vocalist is good, but not Dave sounding, while the rest of the players are. There is a simple way to get a better Dave sound from a vocalist who in all reality is probably better technically than the real thing, though must imitate the real thing that is so distinctive in tone....the singer's mic is very syphillys, I'm sorry, sibilant. The singer has a very non-Dave voice, at least as recorded. There are ways to work around that, not only in studio but live as well as you know. DAve has a very prominent midrange in his tone. Lead vox...emphasize the low-mids and a little of the high-mids, pull back the high EQ and add a little low.
The vocalist is the only piece, as a tribute, that was marginal. Great vocalist, and to tell the truth I would like to hire him on a couple of my originals, but just not Dave. Again, with creativity on your part as the engineer, minus the character of Dave which in itself is a task to find, you could do something more I feel with the lead vocal tracks and EQ.
Did you do all of the guitar Echoplex simulations in engineering or was that brought from the guitar player. Impressive, however it was done. I hope it wasn't a digital modeler, but have the unfortunate feeling it was. Nonetheless, impressive simulation, and I am a BIG early VH fan.
Oh yeah, I would push the bass guitar a little more. Great job on playing but distant in the mix.
Edit...sorry, I listen first, read second...the DLR is a chic. Sounds like a high-toned dude, but if you push the lower and upper mids I think you could benefit their demo. Awesome, and PLEASE tell me the guitar tone secret, even if it is PM. I gave you my time, so please give me the courtesy back
