
Badger
Active member
Not this again.....
Blue Bear Sound said:Neither part 2 nor part 3 sounded even remotely close to part 1...
And listening on headphones is pointless because every person's ear response when listening to cans varies considerably (ie, what YOU hear thru cans is not the exactly same as what anyone else hears for the same signal - which is a big reason mixing thru headphones is a big problem...)
Headphone listening doesn't allow for a common frame of reference - monitors do.... which is why monitors are used for mixing and not cans............
Blue Bear Sound said:I'm NOT going to get into this again, Anders.... it's clear you don't understand the underlying theory and principles of sound and acoustics, or even record engineering in general....
Until you buy a clue, I'm done arguing your nonsense.....
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but....but....you don't understand....it turns up to ELEVEN!!!! IT'S ONE LOUDER!!!!Blue Bear Sound said:I've explained myself MANY, MANY times -- you simply don't get it.......
...bye-bye!
Blue Bear Sound said:I've explained myself MANY, MANY times -- you simply don't get it.......
...bye-bye!
volltreffer said:You simply should be able to accept that someone does not think that your ideas are as good as you think. It IS always difficult, I know that well... The guys who have tried and liked it will apply it, and the others won't... And I'm rather sure you won't change their minds ...
So till soon on the planet![]()
Krakit said:How about this. Mount a circle of small speakers outside the turntable facing the center. Put a cardboard tube (from some paper towels) over the spindle. Put two holes in opposite sides of the cardboard tube and poke a funnel tip into each end. At the top of the cardboard tube put a smaller tube (toilet paper roll) making a "T" shape.
Now the funnels will catch the sounds from the surrounding speakers and produce the doppler through the toilet paper tube.
Viola instant leslie!![]()
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Carl
Bdgr said:Please, give it a rest...its embarrasing...
Originally posted by The Axis'
Your theories are generally right. I am not trying to discourage them, just expand your thinking a little. Once you start thinking about this stuff then you realize why some people are willing to buy calibrated mikes, RTA's, baffle their studios, etc. In the end it is all about how good it sounds, so many people poo-poo this stuff and just play it by ear. But then they also wonder why their mixes all sound "boxy" or "boomey" or "have no sheen".
Boray said:
Ok, I will give it a rest (again). I am talking for deaf ears anyway. Someone thought I was brave taking this up again, but I think it was just stupid of me.
Yeah, he's the wind beneath my wings and all that....If you all think Blue Bear is a recording specialist and your great hero - fine!
I have read his satements and they do hold water. I think they are just so far beyond your comprehension that you arent understanding what he is saying, so you dont think they are logical.I'm sure he has many good recording tips. But if you analyze his statements logically, they don't hold water. They are not logical - or (this is also very possible) he is ignorant enough to not read the posts through carefully before he replies to them.
Hmmm....FIst of all, this isn't an acoustics issue, entirely, so even if this cat was an expert , it wouldnt be his field, and second of all, were talking about some cat who hangs out on a website devoted to home non-professional hobiest gear, as opposed to a guy who owns and runs a succesfull pro studio. What qualifies this guy as an expert, and what does he say that really goes against what any of us have been trying to beat into your head anyway? Your moving farther and farther into the bridge dwelling catagory with every word you type.If you want the words about my method from a real acoustics expert, an Acoustic Engineer from VSPlanet, read this:
That's the opinion of the expert, not of the house doctor. I leave you with that.
/Anders