if you dont have one your condenser wont work art makes good ones for cheep but you can find some nice ones for like 200 bucks i dont think its worth it but i like lo-fi. theres also ones built into interfaces
wow that nady mic pre is cheap I'm trying to decide how important it is too. I mean, my crappy behringer mixer has 4 mic pres and I'm trying to decide if buying a cheeeeeeeeeap pre (once again behringer_but I figure an actual individual mic pre would be better than mixer pres) ... anyways let me know what you get, if you get one that is... and how good it is/ how significant a difference.
wow that nady mic pre is cheap I'm trying to decide how important it is too. I mean, my crappy behringer mixer has 4 mic pres and I'm trying to decide if buying a cheeeeeeeeeap pre (once again behringer_but I figure an actual individual mic pre would be better than mixer pres) ... anyways let me know what you get, if you get one that is... and how good it is/ how significant a difference.
I wouldn't buy a Behringer pre for recording, standalone or otherwise. They have a reputation for being noisy. Nady does as well, historically, though that unit is probably just some stock Chinese pre rebadged for them, so it's anybody's guess.
My advice? A Peavey PV series mixer (e.g. PV6) will get you lots of exceptionally clean preamp gain at a relatively low cost. They'll last you for years.
I like focusrite pre's. I have the voicemaster pro. I have heard ppl bash focusrite's in general but I love it, and I love the sound of every focusrite that I have used.
the DMP3 is decent. it won't ruin a 300 dollar mic. it won't sound as fantastic as a better pre would, but in terms of pairing quality of mic to pre, I'd say that sounds like a good option for you, or a step up to the RNP.