DigitMus
Member
Empty thread?
Well, I'll answer anyway:
It depends on -
1) the mic (condenser? dynamic? ribbon?, proximity effect?)
2) the vocalist (how does s/he sound in the room, how aware are they of mic charactersistics, how wide is the dynamic range?)
3) the song style (too many variables to mention)
4) the room ( is it good?, bad? neutral?)
Rule of thumb - if you're getting good levels to the recorder without clipping and the soft parts aren't too low (and there's not too much low end "woof" from proximity), that's the right distance for that particular recording - everything else can be dealt with at mixdown.
Scott
Well, I'll answer anyway:
It depends on -
1) the mic (condenser? dynamic? ribbon?, proximity effect?)
2) the vocalist (how does s/he sound in the room, how aware are they of mic charactersistics, how wide is the dynamic range?)
3) the song style (too many variables to mention)
4) the room ( is it good?, bad? neutral?)
Rule of thumb - if you're getting good levels to the recorder without clipping and the soft parts aren't too low (and there's not too much low end "woof" from proximity), that's the right distance for that particular recording - everything else can be dealt with at mixdown.
Scott