Oh yeah, hash marks... I had 'em on my fingers once, and I washed my hands, and I....
Seriously though, did you guys look at that thread?
To quote the immortal and wise Jack-The-Pumpkin-King "What does it mean, what does it mean..."
I guess the difference between the two approaches is EXPERIENCE.
1) "optimized" digital level > rounding errors by changing the level in the mix.
2) recording at unity "unoptimized" level > no rounding errors as levels are
already set.
Optimization is a bad word to be using in this discussion, that's why they're in quotation above.
Approach 1) is the safe & long road for newbies like me....
Approach 2) is the risky & short road for those like Fletcher who have the experience.
Getting from approach 1) to 2), while not easy, is a great goal to shoot for.
When I record my tracks on MR8, and put them in Ntrack, my faders should be at unity? Seems it'd be clipping the HELL out of things... I know I've run into this question before, how do you know when individual tracks (in n track) have their faders positioned too high??? Do you get me? Is there any detrimental effect that the fader can have at mixdown, if it is too high? The tracks already recorded, right? I can't peak it now, can I?
*arghhhh edit* just realized how detail weak that question was...
Okay I:
- record to MR8, levels high as possible without clipping. Play/sing sample track to make sure of no clipping.
- Transfer to N tracks
- adjust levels with faders to equal out mix
So when/where does the master channel vol. (In N-track) figure into this?
Please enlighten my darkness, oh masters of the red box, and the Tracks of N