brownbearTLE
New member
Studio monitors are suppose to have a flat eq range, yet with the room coming into play this is not the case
I've read somewhere that you can play a pink noise then capture it with an omnidirectional microphone, put a spectral analyzer on the recorded noise then eq from there (eq out the mic then the room). But I don't own an omnidirecional microphone, and i'm only looking to compensate for the sweet spot.
Also, any tips on doing this technique to a pair of beyerdynamic dt770 pro 80 ohm headphones?
I've read somewhere that you can play a pink noise then capture it with an omnidirectional microphone, put a spectral analyzer on the recorded noise then eq from there (eq out the mic then the room). But I don't own an omnidirecional microphone, and i'm only looking to compensate for the sweet spot.
Also, any tips on doing this technique to a pair of beyerdynamic dt770 pro 80 ohm headphones?