ok. I'm still not totally clear but I'll give it a try. I'll assume you're asking how to write songs like these so I'll tell you what I think makes them special.
First, They have excellent performances by excellent performers caught on tape by excellent engineers...we all knew that.
Second, both songs run the gamut of emotions from slow and tender to up tempo and heavily distorted. In other words, they have a great deal of contrast; in volume, in tempo, in mood, in instrumentation and in arrangement.
I think the most integral aspects to both songs are the vocals and the drums. Drums so the listener can dance (or bang head, as per Wayne and Garth) and vox so they can sing along.
Notice I didn't say lyrics. I don't think anyone will argue that these lyrics are paramount to the success of either song. They are virtually immaterial. galileo figaro, manificoooooooooo? c'mon!
The lesson?! Worry more about an interesting arrangement than being a poet. Write lyrics that SING well. No one will give a shit what you're actually saying.
well, this is just my take on the reasons these two songs are good. When you write the next big one, I want a credit in the liner notes
