
grimtraveller
If only for a moment.....
I was going to put this in the drum section but it’s actually a songwriting query, in the main.
I was listening to David Bowie’s “The Jean Genie” a few days ago. I’ve loved that track for over a quarter of a century. It’s got this irresistible rhythm, I can’t help but shake my head or tap my feet whenever I listen to it. I was listening really hard to the drums and the way Woody Woodmansey plays on the track. He says that on the album that came before {Ziggy}, he and the band had gone for a more minimalist way of playing but I was surprised at his playing on this track. It feels like he hardly does anything ! Pretty much all it is is kick-snare-kick-snare boof-tuck-boof-tuck with a little shing-shing-shing-shing on the hi hat just before the chorus and a very quiet cymbal during the chorus.
It got me to thinking about the ways different genres utilize drums and I thought it might be interesting to ask how different writers and recorders on the HR front approach drums on their tracks. I was really surprised at how little Woodmansey appears to do on the track (claps and percussion add to the rhythm).
How important to you are the drums ? Are they an integral part of the songs you come up with ? Are you thinking of drum patterns and rhythms as you write ? Or do you go for a ‘feel’ and leave it to the drummer to interpret what you’re trying to communicate ? If you’re a songwriting drummer, is it easy to come up with drum patterns for your songs ?
And with the availability of drum machines, rhythm tracks, samples, loops and the like, those that programme their drums, how important are the drums to your works ? Do you try to think like a drummer when programming ? Or do they simply provide beat and a time reference ?
There are a series of questions that I can’t even think of that others may think of. It seems that there is a good cross section here of drummers that only drum, drummers that also play percussion, drummers that play other non percussive instruments, multi-instrumentalists that drum, and those that don’t drum at all but play one or more instrument and sing. Is thinking ‘drummery’ necesarilly the preserve of only drummers ? And specifically to those that are drummers, do you have any observations in general about programmed drums (in terms of the actual programming, not whether they are the spawn of Satan
)
And....away we go !
I was listening to David Bowie’s “The Jean Genie” a few days ago. I’ve loved that track for over a quarter of a century. It’s got this irresistible rhythm, I can’t help but shake my head or tap my feet whenever I listen to it. I was listening really hard to the drums and the way Woody Woodmansey plays on the track. He says that on the album that came before {Ziggy}, he and the band had gone for a more minimalist way of playing but I was surprised at his playing on this track. It feels like he hardly does anything ! Pretty much all it is is kick-snare-kick-snare boof-tuck-boof-tuck with a little shing-shing-shing-shing on the hi hat just before the chorus and a very quiet cymbal during the chorus.
It got me to thinking about the ways different genres utilize drums and I thought it might be interesting to ask how different writers and recorders on the HR front approach drums on their tracks. I was really surprised at how little Woodmansey appears to do on the track (claps and percussion add to the rhythm).
How important to you are the drums ? Are they an integral part of the songs you come up with ? Are you thinking of drum patterns and rhythms as you write ? Or do you go for a ‘feel’ and leave it to the drummer to interpret what you’re trying to communicate ? If you’re a songwriting drummer, is it easy to come up with drum patterns for your songs ?
And with the availability of drum machines, rhythm tracks, samples, loops and the like, those that programme their drums, how important are the drums to your works ? Do you try to think like a drummer when programming ? Or do they simply provide beat and a time reference ?
There are a series of questions that I can’t even think of that others may think of. It seems that there is a good cross section here of drummers that only drum, drummers that also play percussion, drummers that play other non percussive instruments, multi-instrumentalists that drum, and those that don’t drum at all but play one or more instrument and sing. Is thinking ‘drummery’ necesarilly the preserve of only drummers ? And specifically to those that are drummers, do you have any observations in general about programmed drums (in terms of the actual programming, not whether they are the spawn of Satan

And....away we go !