Bonzaho15 said:
The room is only going to be a recording/practice room. I don't have a band so i'll be the only one in there so space for other members isn't an issue. My parents own the house, and they're not to into me doing anything to structural. The room has an old sliding door closet that I took the door off and put my desk in there with all my recording gear i've got so far on it. Other things that will be in the room include a half stack amp, a smaller bass amp, some guitars (w/stands), a chair for the desk, and thats about it besides anything thats to small or easily removable.
As for the gear i've got....I have a fostex VF-160 and will soon be getting some SM57's (2-3 depending on $). Other mics that don't out-price the SM57 and would be good for recording let me know. I've got some older mics, but are no where near anything worth recording with.
Yes I need to do anything and everything I can to this room to make it recording worthy. But studio foam is a little pricey, as are acoustic panels. I've been told hanging things like movers blankets on the walls would help. Is this true?
As for the job, i'm looking into getting one in about 2 monthes (when I turn 16). I live a good distance from town and getting a ride to a job would be practically impossible. I do rake/shovel yards and driveways and all that good stuff, but still lack the cash needed. Luckily christmas is soon, so that'll put a small dent in the stuff I need.
Yea I'm a musiciansfriend subscriber (as everyone here probably is) but again, I lack the $.
Instead of SM57's, I would suggest you look at MXL microphones.
Here is what I would try to get if I were you:
MXL 990/991 package. either of these could serve as an overhead - at this point, you don't really
need to close mic each drum. I personally prefer small diaphragm condensers for recording - they have a faster response time, which means the recordings have more "impact". They are also more crips sounding than dynamics.
I'm not familiar with the oktavia brand mic's - I know some people really like them, but I've never used them so I can't suggest them. I have several MXL's (well, actually I have 10 MXL's - I'm virtually weeding everything else out, because I like them so much.)
They are hard to beat for the price. The only thing the SDC's are not really good for are the kick drum - BUT depending upon how you tune it, and how much muffling you use in it - you can use one for the kick - you just have to put a little distance in between it and the drum.
Build yourself a kick drum tunnel - do a search, I've posted about this several times. It's almost like a little "room" you build in front of your kick drum - and you put the mic in there, and it isolates the mic and the kick from the rest of the drumkit.
You can use a speaker (6.5" through 10" seems to work the best) to add low end thump to the klick drum. You wire the speaker to an XLR cable, and use it like a giant microphone. You will need another mic to pick up the mallet attack of the kick, but you can use just about any mic for that - probably even one of the ones you already have. If you build your kick drum tunnel out of wood, you could build the speaker inside of it and kill 2 birds with one stone. Don't spend a lot of money on the speaker if you do this.
Check out
http://www.partsexpress.com for speakers.
Learn to Solder!
Since you are doing this on a budget, you need to learn to solder. Don't waste your money on cheapo connectors. Spend the extra money and buy Neitrik - they will last twice as long, and you can get Carroll brand mic cable in a $100' roll for relatively cheap.
Here are some pages that I wrote several years ago on Soldering.
http://www.angelfire.com/fl/Brownsound/diy.html
Just buy a "pencil" style soldering Iron.
You don't NEED one of those fancy soldering stations - I've been soldering for over 20 years and have never had one yet. I still have the same $20 Soldering Iron that I put together from Radio Shack parts when I was 21 (I'm 37). (They used to sell a handle with different parts that screwed onto it so you could build a custom one)
You can get a good one for probably around $30 and it will last you for years as long as you take care of it.
I make all my own cables, because I can get a great quality cable for the price of an economy one. I have more time than money so, the entire 10 minutes it takes me to make a mic cable is worth it to me.
Don't waste your money on "claws" - you can get Onstage brand booms for $20 each if you buy one of those packages of 5 at Musician's Friend. I have them and they work jsut as well as a German mic book that I paid almost $70 for. In fact - they look almost exactly alike.
Learn to really tune your drums well - because this will make or break a drum recording moreso than the number of mic's you have.
Tim