HOME-RECORDING Software

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dayslikefriday

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Ok, so, the below software is what I'm considering to own. However, I have no idea what's better or worse. So, basically, I want to know (as probably many others do, too)... What's the 'cream-of-the-crop' for your money? What do I need and don't need? What am I missing? Etc... I want opinions and thoughts. :) Ok, thank you!


SOFTWARE


Fruty Loops v4
BIO:
FL Studio 5 is a full-featured, pattern-based sequencer perfectly suited for creating complex songs and realistic drum loops. It has 32-bit internal mixing and advanced MIDI support. Your creations can be exported as WAV or MP3 files and all MIDI events can be exported to standard MIDI files. Producer Edition also lets you record and mix up to 999 tracks of audio and use effects on inputs while recording. Also features a 64-channel mixer with per-track EQ and integrated WaveEditor.

Acid Pro 5
BIO:

ACID Pro software continues innovating with version 5. Powerful new features and advanced functionality make AP5 the most comprehensive application of its kind. Create songs, remix tracks, produce 5.1 surround audio mixes, score videos--the possibilities are endless. AP5 allows for unlimited audio and MIDI tracks, realtime pitch and tempo matching, and an impressive new Media Manager that lets you search, tag, and catalog your loops accurately and efficiently. Set up and mix 5.1 surround projects for audio and DVD productions with AP5's superior mixing and editing options. 20 DirectX effects including flange, delay, and amplitude modulation enhance your sonic palette. Comes bundled with the Sony Sound Series: Loops and Samples collection!

Cool Edit/Adobe Audition
BIO:

Designed for demanding audio and video professionals, Adobe Audition offers advanced audio mixing, editing, and effects processing capabilities. Its flexible workflow, coupled with exceptional ease of use and precise tools, gives you the power to create rich, nuanced audio of the highest possible quality. Record, edit, and mix high-resolution 32-bit files using any sample rate up to 10MHz, including standard rates such as 44.1kHz, 88.2kHz, 96kHz, and 192kHz. Support for 24-bit/96kHz recording ensures DVD-ready sound production. Be as precise in your cuts as you like. All edits are sample-accurate and can be automatically snapped to zero crossings; short crossfades can be added for smooth, pop-free cuts every time. Work with more than 45 digital signal processing (DSP) tools and effects, mastering and analysis tools, and audio restoration features. Adobe Audition also supports third-party Microsoft DirectX plug-ins. High-quality sample rate conversion ensures great-sounding results, and is ideal for up-sampling CD material from 44.1 to 48kHz for video or 96kHz for DVD. Adjust volume, pan, effects, and more for individual tracks in a multitrack mix. Envelope curves can be adjusted using splines to produce gradual, nonlinear transitions. Get up and running quickly thanks to an intuitive interface that you can configure to meet your production needs. Create default sessions to use as templates for projects that share similar configurations.Process effects in real time. To reduce CPU usage, lock a track to cache the rendered effect, and unlock it instantly to make adjustments. Import audio from Adobe Premiere® Pro or After Effects® software for use in Adobe Audition. Use the Edit Original command to make changes to the original WAV file and import the changes into Adobe Audition. Keep project resources at your fingertips using the Organizer window, where you can access currently open audio, MIDI, and video files, effects, and favorites.

Cubase SX
BIO:

Cubase SX3 takes music production to a new level by adding more than 70 updates including powerful Audio Warp realtime time-stretching, an intuitive Play Order Track, convenient In-place Editing and many new editing functions. For the first time, a native music production system combines full-featured audio and MIDI recording and editing, virtual instruments, and powerful audio mixing with the added flexibility of loop- and pattern-based arranging and mixing. Cubase SX3 supports Windows XP and Mac OS X and works with a multitude of audio interfaces. Add to that the seamless integration of external audio and MIDI hardware, and Cubase SX3 redefines music production technology.

Reason 3.0
BIO:

Synthesizers, samplers, drum machine, ReCycle-based loop player, mixer, effects, pattern sequencer, and more. As many of each as your computer can handle. Reason is an infinitely expandable music workstation on a CD-ROM, complete with its own realtime sequencer. Version 3.0 features the Combinator -- a sophisticated software device which allows you to build elaborate chains of Reason units -- instruments, effects, pattern sequencers, you name it -- and save as Combi patches.

Cakewalk Sonar
BIO:

This edition of SONAR delivers powerful production tools in a fast, streamlined user interface. With SONAR4, Cakewalk has added powerful new recording, editing, comping and navigation tools that optimize workflow for today's professional. In addition, version 4 combines innovative surround and AV capabilities along with precise engineering tools. SONAR4 Producer Edition is the perfect solution for composing, recording, editing, mixing, and remixing music productions; and for providing voice over, score, sound design and post audio for film, TV, video, commercials, and games.

Pro Tools LE
BIO:

Supports select M-Audio interfaces including Audiophile 192, Audiophile 2496, FireWire 410, FireWire 1814, and Ozonic. (One of these devices is required.) The world's best-respected and most-used professional digital recording software adapted to give you award-winning audio recording, editing, and mixing capabilities. Instant compatibility with Pro Tools TDM and LE systems around the world. Features fully integrated MIDI sequencing and readily accepts ReWire output stream directly from applications like Ableton Live for further mixing and processing. Includes Beat Detective LE automatic groove analysis and correction tool for flawless time. Supports Digidesign's Command|8 control surface for hands-on mixing. A huge selection of optional plug-ins and applications are available. Works with Windows XP and Mac OS X.

Sound Forge
BIO:

Sound Forge® software is the tool of choice for media professionals who want to create and edit digital audio files with absolute speed and precision. Acclaimed for its power, stability, and no-nonsense interface, it's the fastest way to get from raw audio to finished master. Sound Forge software is everything you need to analyze, record, and edit audio, produce music loops, digitize and clean up old recordings, model acoustic environments, create streaming media, and master replication-ready CDs.

Live 4.0
BIO:

Ableton Live 4 is the revolutionary music production solution that allows you to spontaneously compose, record, remix, improvise, and edit your musical ideas in a seamless audio/MIDI environment. Live brings your acoustic, electronic, and virtual instruments as well as your digital audio recordings and MIDI sequences together in a single interface with unparalleled ease of use. In short, Live lets you focus on what really matters: your music. Live's award-winning elastic audio sequencing lets you record, import, arrange, and process multiple audio clips and loops into complete songs regardless of their pitch or tempo, all in real time while the music continues. You can even change tempo and pitch of audio independently after the fact and clip envelopes create endless loop variations. Of course, you can also integrate linear tape-style recording along with your loops. With Live 4, Ableton's unique approach to music production extends to a new paradigm in MIDI sequencing and manipulation as well, complete with virtual instruments. As simple to use as it is powerful, Live 4 is a completely unique musical tool.

*ALL OF THE BIOGRAPHIES COPY/PASTED FROM MUSICIANSFRIEND.COM*
 
What do you want to do with it? What kinds of recording will you make?

I use Guitar Tracks Pro 2 and 3 and Wavelab 4.0, for what it's worth.
 
I love the shit out of Reason. Expect a higher learning curve than Fruity Loops for example, but that's kinda what's nice about it. You can do so much with it, that it almost feels like a real instrument...
 
I second that vote for Reason. But with Reason you'll probably need something that records audio, because as magical as Reason is that's one thing it doesn't do.

My solution has been to ReWire it with Tracktion. Download the demo from the 'Tracktion' link and buy it here.

You'll probably wind up spending between $400 and $500 depending on what kind of deal you can find on Reason 3, but you'll wind up with a software package that was a musicians wet dream only a few years ago...

And welcome to the board!
 
Monkey Allen said:
What do you want to do with it? What kinds of recording will you make?


Well, I just want to know the most professional software to use or the most 'fun' to mess around with. So, basically, I want to know other's opinion's on software they've used or heard about.
 
Purge said:
I love the shit out of Reason. Expect a higher learning curve than Fruity Loops for example, but that's kinda what's nice about it. You can do so much with it, that it almost feels like a real instrument...


That sounds sweet. I really want to get Reason, hopefully, I will soon. Is it a loop-based software or am I gathering the wrong information from your comparison of 'Fruity Loops' and 'Reason'.
 
ssscientist said:
I second that vote for Reason. But with Reason you'll probably need something that records audio, because as magical as Reason is that's one thing it doesn't do.

My solution has been to ReWire it with Tracktion. Download the demo from the 'Tracktion' link and buy it here.

You'll probably wind up spending between $400 and $500 depending on what kind of deal you can find on Reason 3, but you'll wind up with a software package that was a musicians wet dream only a few years ago...

And welcome to the board!

Heh, thanks for the welcome! Is there anything better than or more professional than 'Tracktion'? Or is it a very good program than many others use? The only reason I'm asking is because I haven't heard about it until I read your post. Is it comparable to any of the other software I mentioned?
 
Tracktion is ok for what it is, but it's a very young package and has many problems. I use it for almost all my recording, so it's not like I took one look and ran. It's a piece of piss to get it up and running, move your inputs, plugins, instruments and all that around, but the first time you run into something it doesn't do well (piano roll editor, mixing, automation, buggy with some VSTs), you may find it intensely limited and limiting.

My advice would be to get something that does everything you want. Cubase does everything, but isn't the most streamlined to use (a world away from one-screen menuless Tracktion). Pro Tools will find you hooked in with Digidesign and M-Audio hardware depending on which version you get. I would be very interested in taking a look at the newer Cakewalk softwares because they seem to be loved by all who use.

People seem to take it as a personal insult if you don't like the software they use, so be aware that we all have to make value judgements at some point. Tracktion in particular because it is so different seems to inspire a fanatical following amongst its devotees ... see the Tracktion Faction website.

None are more devoted than the one sole supporter of Power Tracks from PG Music ... I wouldn't rush to look that one up to thoroughly if I were you ... :)
 
Ive used home studio, imo it sucked.

I use Cubase now, and love it...so thats my recommendation.

I wouldnt get SX if you are just starting your venture into homerecording.

I would get the $99 SE (Only 8 at a time/ 48 tracks)or the SL....the SL has almost all the features of SX but costs less.
 
dayslikefriday said:
That sounds sweet. I really want to get Reason, hopefully, I will soon. Is it a loop-based software or am I gathering the wrong information from your comparison of 'Fruity Loops' and 'Reason'.
Sort of. The thing about Reason is that the loops are not already created for you--you get to program your own. Reason includes a sequencer that you can copy all the patterns you create to, and in that respect I suppose it could be considered loop based.

For recording software, I use N-Track, because it's cheaper than dirt. The benefit to that program is that it includes an application called ReWire that's designed to work with reason. Push a button on one program, and it activates both Reason and N-Track. Very handy for recording and syncing purposes. I'd imagine that most other programs include this app also, but N-Track is what I'm just used to.
 
I use n-Track for everything right now. Get the 24 bit version if your card supports it, it's more expensive, but damn worth it if you ask me. Not many multi-trackers in this price range can use VSTi or DXi, much less do it as well as n-Track.

The choice of software is based on what you want to do with it. If you're making a lot of electronic stuff, then Reason would be your best bet. If you're into recording rock oriented music, or something where you need to use mikes and multiple inputs, then it's basically your choice, almost everything you listed would get the job done well. Price differences are based on the extra features that the programs may or may not have. Tell us a bit about what type of music you want to make and we'll be able to give you a better answer.
 
IronFlippy said:
Tell us a bit about what type of music you want to make and we'll be able to give you a better answer.

Hm, ok. Well, I don't really like being confised to play 'one certain style' of music. However, It'd be something around...


Emo
Post-Rock
Experimental
...
------------
Dreamy
Climatic
Melancholy
...

Influences: Explosions In The Sky, Copeland, The Album Leaf, The Honorary Title, Sleeping At Last, The Lyndsay Diaries, Radiohead, Damien Rice, Death Cab For Cutie, Minus The Bear, Gatsby's American Dream, Lovedrug...



P.S. Thanks for all the replies (from everyone) --- they're helping! :)
 
I've recently ordered Reason 3.0, but am still looking for an actual piece of recording software. Right now, I really like the look and feel of Ableton Live, having used a demo on a friend's computer, but I haven't used Reason and Live in conjunction. Has anybody used these programs together? Is it a good idea or not? If not, should I use either N-Track or Tracktion? I know that Reason works well with those programs, but I would much prefer to use Live with Reason if it makes sense to.
 
I have all three - Tracktion, Live and Reason - and the one that I use most as an audio recording ReWire device is Tracktion. Just because it's low in price doesn't mean it's low in features - it has everything I need and more. The 'one screen-no menu' GUI has already been praised, and with T2 you get plugins galore, both VSTfx and VSTi's. And I have yet to see another program that lets you grab a handle and change the size of a part you just recorded (either midi or audio) to isolate the good bit, then copy and paste your selection into a track as quickly as Tracktion lets you do it...
 
i havnt heard any of the bands you named (with the exception of radiohead, who i am a fan of, and death cab for cutie, who, if im not mistaken is the guy from The postal service, with someone els, if thats true, i am also a fan of them), that being said....

im an underground hip-hop head (but as i mentioned, i listen to bands outside of hip-hop aswell) so take this with a grain of rice i guess, but....

I highly suggest Reason 3.0, its limitless, the sounds are great, especially for Radiohead type stuff. im relativly new to home recording myself, but im getting the hang of Reason very quickly. Its not as confusing as most would make it out to be.

I would suggest (if you go with Reason), to also buy a midi controller. I use a Korg microKONTROL, that works great with it. The controller will not only make the music making process more interactive, but a lot easier. I would much rather play a keyboard than paint on the correct notes.

i was iffy about buying Reason, but its easily the best decision ive made in a while.
no regrets what so ever.

as for recording, i record on hardware (until i man up and dish out the money for cubase), so the other people know far more than I.

.peace.
 
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