I'd like to chime in about
the VX2000. I have found it to be very clean and flexible. Way better than the ART Tube MP for instance. The input stage has a nice bass rolloff if you need it. The expander/gate is really good at its job. The EQ has its uses and the de-esser works. No quality control problems so far. You can really shape the sound with this pre, which is cool.
Now, here is a trick I discovered the other night. Since the VX2000 does not have a limiter, I was having a bit of trouble with a vocal that was soft and easy in some spots and loud and agressive in others. My solution was to patch in an ART Levelar into the patch points of the VX2000. Wow! This combination gave me a real even output signal regardless of how loud or soft the vocal was and it sounded great. I used the Levelar in the Limit and auto mode.
I think the Levelar is one of the most overlooked pieces of gear out there. Used as a limiter inserted into a pre amp (it would work with the meek MQ3 too) it is a wonderful limiting tool that is musical and low in artifacts if it is not over used. A pro turned me on to it and his opinion was that unless you get a Tube Tech or an LA limiter, you won't find anything better (his opinion). It is made in a mono version for $100 and a stereo version for appx $200.
With a VX2000, a Levelar and an RNC compressor, you'd have a pretty killer signal path for a bit over $400. I know thats not the standard response you get on this board when it comes to mic pres/vocal strips, but you might be surprised what a great combo the three would be together. My only disclaimer is that I don't OWN an RNC yet, but I have worked with one my buddy has, and its an awesome piece of gear in its own right.