
dafduc
New member
Waaah!
My choir (the Madonna University Chorale, no relation to Ms. Ciccone) has a concert Friday night - as in tomorrow. My prof found out I have a VS-840, wants me to record. Second concert on Sunday, same deal.
I have Sound Room matched MC012 hypers on order, with an x-y mount and shocks, but they just shipped yesterday, so I doubt I'll get 'em in time.
So here are my choices:
2 Behringer ECM-8000s into a Behringer 1002 into my VS-840, or
2 SM-57s straight into the VS-840, or
miking with mismatched mics (I also have a Sennheiser 421, Baby Bottle, MK-319, and an SM-58 - oh, and just for laughs, a green bullet). Stuck with just 2 signals, though I could submix - 840 can't handle more at normal resolution. I need the 1002 for phantom power if I'm gonna use condensors.
it's about 30 voices, plus a pipe organ. We're singing Vivaldi, Alfred Burt, and a bunch of Rutter/Willcocks carol arrangements.
Bigass pipe organ (43-stop Schantz) for Friday's concert, pipes in center at front, dry room. Sunday's concert has a somewhat underpowered pipe organ (17-stop Casavant), pipes on each side (still in front), more reverberant room.
What do I use??? No time to buy anything (except maybe phantom power if there's a compelling reason to use a condensor and NOT use the 1002).
I'm also willing to record in mono (though I'll then need some instruction in "remastering to stereo" tricks) - the 840 only gives me 23 minutes in stereo at normal resolution. Mono would buy me twice that. So your advice there would help too.
Thanks, you guys - he just called me this morning. I better get a good grade out of this.
My choir (the Madonna University Chorale, no relation to Ms. Ciccone) has a concert Friday night - as in tomorrow. My prof found out I have a VS-840, wants me to record. Second concert on Sunday, same deal.
I have Sound Room matched MC012 hypers on order, with an x-y mount and shocks, but they just shipped yesterday, so I doubt I'll get 'em in time.
So here are my choices:
2 Behringer ECM-8000s into a Behringer 1002 into my VS-840, or
2 SM-57s straight into the VS-840, or
miking with mismatched mics (I also have a Sennheiser 421, Baby Bottle, MK-319, and an SM-58 - oh, and just for laughs, a green bullet). Stuck with just 2 signals, though I could submix - 840 can't handle more at normal resolution. I need the 1002 for phantom power if I'm gonna use condensors.
it's about 30 voices, plus a pipe organ. We're singing Vivaldi, Alfred Burt, and a bunch of Rutter/Willcocks carol arrangements.
Bigass pipe organ (43-stop Schantz) for Friday's concert, pipes in center at front, dry room. Sunday's concert has a somewhat underpowered pipe organ (17-stop Casavant), pipes on each side (still in front), more reverberant room.
What do I use??? No time to buy anything (except maybe phantom power if there's a compelling reason to use a condensor and NOT use the 1002).
I'm also willing to record in mono (though I'll then need some instruction in "remastering to stereo" tricks) - the 840 only gives me 23 minutes in stereo at normal resolution. Mono would buy me twice that. So your advice there would help too.
Thanks, you guys - he just called me this morning. I better get a good grade out of this.