You could zip all the properly labled files and then find somewhere to host said zip file, and we could mix it.
I rarely use traditional compression, but I hardlimit. I do what I can to track with good dynamics (ie: if I'm singing I'll back up if I get louder), but if I want to bring the whole track up, I limit at -3dB and bring up the track a comfrotably amount, sometimes as much as 6dB or sometimes as little as .5dB.
As far as mixing goes, I almost always start with the drums, get a mix and send them to a sub (in my DAW), I then mix around the drum tracks, and bring individual mics as needed. After listening to a song a few times and adding envelopes as needed, I'm pretty much on the home stretch. When EQing, it's best to have an idea of what sound you want, and know if it's realistic to achieve it with EQ or by changing the source (ie: use a different snare drum). Also, a basic EQ technique is to boost and sweep. If you're using a paragraphic EQ in your DAW it's easy, boost a frequency about 10dB, maybe more if needed (be careful not to blow speakers when sweeping the low frequencies), then sweep the frequencies until you find a frequency that you like or don't like, then boost or cut as needed.