branded said:
If so, what were they like? These seem to be better than DW''s
I wish I could afford a set haha!
You're just buying into the Punk Rock image.
I have a friend who has a 4-piece OC drumkit, with an extra snare.
I borrwed his vented snare, not to play, but because I wanted to see how well it was constructed. It wasn't. As someone who has done drumtech and repair work over the last 20 years, I was horrified to see what they are getting away with!
They had made a drim for my friend that was at least 20 plies (I'm thinking 40, because the snare was about an inch thick) and there were gaps that were at least 1/8" where the shells did not meet inside the drum - they didn't even attempt to try to fill it, either.
The drum sounded "thick" because of the density of the shell, and the width of the bearing edges, but it was kind of "dull" sounding, with a lot of midrange, but not too much snap to it.
I didn't care for the vent either, live it might be good in an unmic'ed situation for extra midrange volume from the snare, but I just wasn't impressed with the snare or the kit.
This guy only plays a 4-piece in the following configuration, so he saved enough money to buy a very large kit, and instead bought four 4-piece kits from different manufacturers:
1 10"x12"
1 14"x16"
1 18"x22"
He has about 20 snares (he bought 2 snares from each manufacturer and every one was a different size or configuration so that he could have an "arsenal" of snares to choose from.)
He plays out 6 nights a week, and he does studio work throught the state of Florida.
So, which of his kits gets the most requests?
A Porkpie. 8 ply toms, and a 10 ply kick, and he uses either a 5"x14" Porkpie
snare or an old Rogers Dynasonic from the 1960's.
The Orange County kit looked good, but he sold it because he said it wasn't as good as the porkpie kit.
Tim