guitar mikes

  • Thread starter Thread starter Gnat
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Gnat

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I have been trolling here for awhile and just wanted to put in my $.02 for what it is worth. I bought a MD 421 U5 to record my wifes voice ( she sings celtic ballads )after reading so much about them here. But, was pleasently surprised to find out it worked great teamed with a MXL 603 at 12th fret and the 421 at the bridege. No boominess at all where the 603 and a SM58 were pretty bad on a Taylor dred.

Just a great mic and also makes a great improvement on the openess of her vocals. Great forum...thanks for all the ideas.
 
Hello Gnat! Welcome to the board. You're not so far from me in Taxachusetts. My lady wife is a bit of a harper, and the current project has a goodly dose of Celtic influence. I'd love to hear some of the music. Check my website at www.bardwire.com and feel free to email me. I also have a Taylor dreadnought and boom can be an issue. I'd love to see how it looks physically when it's mic'd up, as I could substitute a Studio ProjectsC-4 for the 603 and an SM7 for the 421. BTW, does your Taylor have a Fishman Prefix Plus in it? If it does, definitely email me as I know a couple of secrets about using it.-Richie
 
Richard,
I would love to hear your secrets about the Taylor. Thus far , i have only been able to record it with my mics(ntk, baby bottle, and stedman) I have a 615 with the fishman so please clue me in as i think there must be some cool stereo or double tracking things i could be doing but don't know how.
Thanks for your help
 
Yo Kenney! If you have Prefix Plus, it has a mono/stereo switch inside. Set it for stereo, and plug in with a 1/4" TRS plug with a splitter to two 1/4" TS plugs, and send them to the two DI inputs of any decent 2 channel preamp. I've had very good luck with a Joemeek twinQcs. The key is that the mic is too thin, and sucks, and the undersaddle piezo, though adding much needed mids and lows, comes with a fair amount of distortion, and it sucks!
However, if you start with a bunch of mic on one channel and feed in the pickup gradually, there's a sweet spot where it sounds like a wooden guitar mic'd up pretty. There's so little bleed, even from the internal mic, that you can sing along as you play, very, very, softly, just as a guide, then track the vocal later. One of the songs on the current project was an early track which I did that way 'cause I was out of practice, and didn't have the chops to play the damn song without singing it, at least a little. The track came out so pretty, we didn't have the heart to re-track it with mics. It was intended as a scratch track, but made the final cut.
The board's own Littledog listned to the track and said, " That was done DI? I'll have to send Fishman a letter of congratulations." He 's a critical listener, and hears lots of bad in music. It's the curse of the mixing engineer to listen to music, and zero in what's bad in it. I'm glad I'm not one.-Richie


P.S.- I don't know about the Fishman onstage, but I look forward to figuring out the voodoo of notch control.
 
I use it on stage al the time, set your trebleat 25%, bass at 30%,
notch somewhere between 2:00 and 3:00 'o'clock, contour 25% and freq @ 50% all pickup no mike
and thanks for the tip , I'll play with it laterand let you know how it works
 
Stay in touch, Kenney. I'm kind've looking for a male singer to help me out on a cut we're tracking Labor Day weekend. We're doing a cover of "The Lion Sleeps Tonight", and I need a male voice to make it sound a little more like Fleetwood Mac, and a little less like ABBA. No, I'm not kidding. Do you have any MP3's of you singing on line?-Richie
 
check out songramp.i've got a bunchy of originals posted there
(used a little pitch correction)
 
Okay i didn't use pitch correction but my voice is so hot, no one ever believes me
 
so many names....so little time
do go on, i love the attention
In His Name
Big Kenny
 
Of course, I can take it! Just be gentle, after all I'm just a noob.
In His Name
BK
 
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