Gold Star Recording Studio

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tkingen

tkingen

Djembes Rock
I've been working on transfering some old Herb Alpert and the Tijuana Brass vinyl to CD. After spending a few hours marveling at the quality of the recording (especially the creamy reverb!) I decided to look for some information about Gold Star Recording Studio, which is where the original recordings were made. The history of this studio is fascinating and the client list is a who's who of 60's pop music and film.
I thought someone might get a kick out it so here's a link -

http://www.goldstarrecordingstudios.com/

The website's a work in progress but it's still fun.
 
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Ah, great studio - spent many happy hours there recording demos. Doc Seigal was one of my main mentors.
 
Harvey Gerst said:
Ah, great studio - spent many happy hours there recording demos. Doc Seigal was one of my main mentors.

Harvey,

Doesn't surprise me that you spent time at Gold Star! :) :D
 
tkingen said:
Harvey,

Doesn't surprise me that you spent time at Gold Star! :) :D
Ya gotta remember:

It was the 60's.
It was the music industry
It was a lot smaller than most people realize.

There were the smaller studios like Gold Star, Record Plant, and Sunset Sound, and the big places like Columbia and RCA.

Everybody kinda hung out together. It wasn't unusual to go to Norm's La Cienega Monday nights, and see all of the following people at one big table:

Tom Smothers
Barry McGuire
Some of the Association
Some of the Kingston Trio
Neil Young
Pat Paulson
David Crosby
David Lindley
Jackson Browne

If you were folk, you played the Ash Grove and the Troubadour. Rock, you played the Whisky. There were enough clubs up and down the Southern California coast to support some decent bands and it was a thriving music scene. If you got big, you played the auditoriums.

During the week, you'd run into all these people at the local coffee houses, along with Roger McQuinn, Frank Zappa, and Gordon Lightfoot.

It wasn't a big industry at the time. And I was very fortunate to be in a lot of right places at the right times, so I had a wider spectrum of friends in different areas of music, from country to rock, to blues, to folk, to jazz. When I think back over all the greats I've known and hung out with, it blows me away as to just how fortunate and lucky I really was.
 
I still enjoy hearing these stories. I understand what you mean about the industry being smaller than it seems to us now, but it's still quite exciting to hear about these quite iconic figures and places being talked about in the same way as I might talk about my old job in a supermarket or something! :)
 
noisedude said:
I still enjoy hearing these stories. I understand what you mean about the industry being smaller than it seems to us now, but it's still quite exciting to hear about these quite iconic figures and places being talked about in the same way as I might talk about my old job in a supermarket or something! :)
My day job was at JBL, so I had some access that a lot of other musicians didn't. I helped Jimmy Wakely (old Western movie star) install a sound system at his house and that led to being invited to his Saturday night get togethers. Now, I was 18 or 19 and sitting around listening to Jimmy's friends talk about songwriting or playing and singing. Who were his friends? Johnny Bond ("Hot Rod Lincoln"), Tex Ritter, and Merle Travis, to name a few. These guys were like Gods to me.

I remember sitting across a kitchen table from Bob Nolan (Sons of the Pioneers) as he talked about writing Cool Water and Tumbling Tumbleweeds.

In the jazz world, I was hanging out with Freddie Gruber, Charlie Haden, Ornett Coleman, Buddy Childers, and Barney Kessel.

As the soundman for the Ash Grove and the Troubadour, I got invited to after hours parties with most of the legendary folk and blues players; Brownie and Sonny, Mance Lipscom, Fred McDowell, and more people than I can ever remember.

Later, when I went to work at Acoustic Control, a lot of these old friends got me into the emerging rock scene, and I hung out with Buffalo Springfield, the Byrds, the Monkees, Doors, Jefferson Airplane, and most of the West Coast groups (of whom many came out of the folk scene).

It was an amazing time for me and as I look back, I realize just how lucky I was to be involved with such a diversified group of musicians and music genres. It's like I've lived 10 lifetimes - and each one was great.
 
Harvey Gerst said:
I remember sitting across a kitchen table from Bob Nolan (Sons of the Pioneers) as he talked about writing Cool Water and Tumbling Tumbleweeds.

My mother's cousin was one of the Son's. Leonard Slye! Mom has about 40 years of genealogy research and the ironic thing is that we found out we were related to some of the biggest horse thieves and cattle rustlers in history!

:)
 
7string said:
My mother's cousin was one of the Son's. Leonard Slye! Mom has about 40 years of genealogy research and the ironic thing is that we found out we were related to some of the biggest horse thieves and cattle rustlers in history!

:)
And Leonard Slye later changed his name to Roy Rogers.
 
....while I was in college, I worked the swing swift at an answering service for musicians. An average day consisted of speaking with folks ranging from Freddie Hubbard, Buddy Collette, Van Dyke Parks, Skunk Baxter, Michael McDonald, the guys from Earth, Wind & Fire, Tom Scott, Lyle Mays, Steve Lukather, Jeff Porcaro, his dad Joe Porcaro, Victor Feldman, to legendary classical studio players and producers, and a bunch more folks that I'd need a minute or two to get back out of my longterm memory....

Problem was, I was a snotty little kid who didn't begin to appreciate the history of most of the coolest cats - I just knew they were mostly sweet and humane folk who loved what they did....

....ok, the studio violinists and french horn players could be prima donnas, but otherwise.... :cool:

Wish I knew then what I know now!!
 
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