L
lo beam
New member
At the risk of driving all you forum regulars nuts with having to deal with endless variations of the same question.....
I'm in the market for a new mike to record acoustic guitars. I've checked out various threads on the subject, and I'm torn between buying a Rode NT3 or a NT1-A.
From what I've managed to filter through the various responses on the subject, it would seem that small diaphragm condensors are generally better for acoustic guitars ( I've previously used the much-maligned(here) AKG C1000S with great results & figured that the NT3 would be similar - if not much better.
But I've also read many good testimonials re the NT1-A and its' wonderful applications for ac guit ( despite it being a larger diaphragm mic).
Since there's not a lot of price difference between the 2 Rodes ( in the UK at any rate) - what do we reckon?
Much appreciated,
lo beam.
I'm in the market for a new mike to record acoustic guitars. I've checked out various threads on the subject, and I'm torn between buying a Rode NT3 or a NT1-A.
From what I've managed to filter through the various responses on the subject, it would seem that small diaphragm condensors are generally better for acoustic guitars ( I've previously used the much-maligned(here) AKG C1000S with great results & figured that the NT3 would be similar - if not much better.
But I've also read many good testimonials re the NT1-A and its' wonderful applications for ac guit ( despite it being a larger diaphragm mic).
Since there's not a lot of price difference between the 2 Rodes ( in the UK at any rate) - what do we reckon?
Much appreciated,
lo beam.
An SDC mic will produce a slightly brighter response, where as a LDC mic will produce a response of more warmth and body of guitar, the SDC will reveal a little more string noise ( sound ) than the LDC. It's always best to audition both mics then choose the one that produces the recording results you're after.........
Also mic position contributes to the overall recording result.......