M
mean_dorris
New member
Ok. Well I guess I already lied a little, it'll be my second mic..
First being a Shure RS-25 that I got 3 for $75 and can't find any info on it ANYWHERE. My high school band used them for practise, and I still have one left over smelling of beer and lungs.
I'd been using it to record instruments lately and it wasn't until I sang into it yesterday that I realized what a mad proximity effect it has.. brutal. Any tilt of the head is devastating to the signal.
So I find myself in need of my first real mic. I'm saving up for a trip to BC so I'm on a wicked tight budget. Options are:
Shure SM57, new. $115cad at my local shop.
Behringer B-5, used. $50cad. no taxes.
I'm also looking at the MXL 2003/603 pack, but thats a little later when I have the dollars.
Having no experience, I've been thinking about it a lot and reading here a lot as well. I was almost set on buying an SM-57 because I kept seeing that it's a pretty good all-around mic, except a couple of things, and it's indestructable. I can vouch for that last part, the RS-25's seen hell, and then some.
Then I read this whole other thread where 150 ppl just basically come down on the 57 and tear it apart. "It sucks balls, but it has it's place"
So which sucks less, an SM57? or a Behringer small diameter condensor that will ultimately cost 1/3 of the 57?
I'll be recording mostly low-volume stuff. Acoustic guitar, soft singing, maybe some electric and bongos. I'm into condensors because I've used them in studios and have heard the kind of detail they can reproduce.
I'll be running Cool Edit, with a stock PC sound card (stereo line in) from a Mackie VLZ1202 from the mid 90's, and M-Audio desktop monitors.
?
First being a Shure RS-25 that I got 3 for $75 and can't find any info on it ANYWHERE. My high school band used them for practise, and I still have one left over smelling of beer and lungs.
I'd been using it to record instruments lately and it wasn't until I sang into it yesterday that I realized what a mad proximity effect it has.. brutal. Any tilt of the head is devastating to the signal.
So I find myself in need of my first real mic. I'm saving up for a trip to BC so I'm on a wicked tight budget. Options are:
Shure SM57, new. $115cad at my local shop.
Behringer B-5, used. $50cad. no taxes.
I'm also looking at the MXL 2003/603 pack, but thats a little later when I have the dollars.
Having no experience, I've been thinking about it a lot and reading here a lot as well. I was almost set on buying an SM-57 because I kept seeing that it's a pretty good all-around mic, except a couple of things, and it's indestructable. I can vouch for that last part, the RS-25's seen hell, and then some.
Then I read this whole other thread where 150 ppl just basically come down on the 57 and tear it apart. "It sucks balls, but it has it's place"
So which sucks less, an SM57? or a Behringer small diameter condensor that will ultimately cost 1/3 of the 57?
I'll be recording mostly low-volume stuff. Acoustic guitar, soft singing, maybe some electric and bongos. I'm into condensors because I've used them in studios and have heard the kind of detail they can reproduce.
I'll be running Cool Edit, with a stock PC sound card (stereo line in) from a Mackie VLZ1202 from the mid 90's, and M-Audio desktop monitors.
?