
LemonTree
Suck 'em and see!
After 3 years of pulling my hair out with Roland V-Drums and superior drummer I finnaly moved into a place with no neighbours where I can set up an acoustic kit.
The drum room is by no means ideal, measuring 12' x 12' with a 7'9" ceiling.
So far I've built 4 corner traps all 4' in height and hung a 6' x 4' cloud above the kit. Need to build more to take the corners up to ceiling height.
Wondering how my first attempt at recording a live kit is sounding. I've done a bit of processing in the way of gates, EQ & compression fitting the style of the song (it's bare bones drums and bass right now)
I know it's hard to tell without everything in a mix and I don't expect the levels to be anywhere near balanced. I'm looking for phasing issues (if any) and bad mic technique.
Kick: Superlux PRA218A
Snare: SM57
OVERHEADS: spaced pair of AKG Perception 120's
Toms: Superlux PRA228A x3
Bass: direct through a sansamp BDDI
Mic Pre's are from my Yamaha N12
does it sound like ass?
and a link would be helpfull....
ASHES Drums & Bass
The drum room is by no means ideal, measuring 12' x 12' with a 7'9" ceiling.
So far I've built 4 corner traps all 4' in height and hung a 6' x 4' cloud above the kit. Need to build more to take the corners up to ceiling height.
Wondering how my first attempt at recording a live kit is sounding. I've done a bit of processing in the way of gates, EQ & compression fitting the style of the song (it's bare bones drums and bass right now)
I know it's hard to tell without everything in a mix and I don't expect the levels to be anywhere near balanced. I'm looking for phasing issues (if any) and bad mic technique.
Kick: Superlux PRA218A
Snare: SM57
OVERHEADS: spaced pair of AKG Perception 120's
Toms: Superlux PRA228A x3
Bass: direct through a sansamp BDDI
Mic Pre's are from my Yamaha N12
does it sound like ass?

and a link would be helpfull....
ASHES Drums & Bass