I'm usually using 2 or 3 mics on the kick. One b52 inside the shell, one b52 just in of a couple of inches from the soundwhole (? is that correct english?) and a RE20 about 7 inches in front of the kick. combining them results in a strong dry kick and at the same time that lovely hearing of the actual wind being moved. I'm lucky to have no restrictions on using numbers of mics and with the hd recording tracks are plenty available too. I decide in the mix what to use or not.