Ex-Rock Critic and PR Person will answer your questions

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Hi, this is meant to be my first real contribution to the board. I used to work as the Senior Editor for this magazine: http://rockpile.net/index.php and I currently work in public relations and marketing. During my time with Rockpile I interviewed many bands including members of Gwar, Danzig, the Bouncing Souls, Mike Ness, Love and Rockets, ex-members of PIL, etc. and I was in constant contact with many labels that you know and love.

If you have any questions about how music magazines/labels work, how to best market yourself, how to build an effective press packet, advertising, or writing copy for your website post them and I will answer them.

Note: I am not the end all and be all of rock music criticism nor am I intending this to be arrogant or somehow over-inflating myself. I just think that there are many people starting out who can benefit from someone who has spent several years writing about music and dealing with demos.

-Kevin
 
SawkenDotCom said:
Hi, this is meant to be my first real contribution to the board. I used to work as the Senior Editor for this magazine: http://rockpile.net/index.php and I currently work in public relations and marketing. During my time with Rockpile I interviewed many bands including members of Gwar, Danzig, the Bouncing Souls, Mike Ness, Love and Rockets, ex-members of PIL, etc. and I was in constant contact with many labels that you know and love.

If you have any questions about how music magazines/labels work, how to best market yourself, how to build an effective press packet, advertising, or writing copy for your website post them and I will answer them.

Note: I am not the end all and be all of rock music criticism nor am I intending this to be arrogant or somehow over-inflating myself. I just think that there are many people starting out who can benefit from someone who has spent several years writing about music and dealing with demos.

-Kevin

Welcome to the board! I'm sure there will be a lot of people asking a lot of questions for you. I'm too old for those kinds of dreams but I'll read your advice and responses with just as much enthusiasm as I had when I first started making original music... about 200 years ago. ;)
 
OK, first question. Say I'm an unknown band that just recorded a CD. How should I go about contacting the media to enable me to send them a press package. What should I include that would make it stand out? Should I include a ton of information, or just a simple layout with the music?

Say we want to get promotion in magazines/newspapers, wherever? What will increase my chances of this?
 
grn said:
OK, first question. Say I'm an unknown band that just recorded a CD. How should I go about contacting the media to enable me to send them a press package. What should I include that would make it stand out? Should I include a ton of information, or just a simple layout with the music?

Say we want to get promotion in magazines/newspapers, wherever? What will increase my chances of this?

Have you ever made a cold call? Any salesperson will tell you that making cold calls sucks because of the difficulty- everything is dependent on the first couple seconds of calling/meeting a potential client. That means you have to have your hair straight, your tie tight and you suit impeccable. Same for dealing with the press. The more professional your stuff looks, the better it will be received. This doesn't mean that you should go out and spend a ton of money on super high-gloss photos and envelopes made from the skin of dead orphans. Here are some tips to maximize your visibility to jaded rock critic types.

Know your target publication
You don't want to send a demo CD/tape/8 track to Rolling Stone, but you do want to send it to 'zines and smaller magazines that have sections dedicated to it. Do some research and never discount photocopied 'zines and websites. If you do boutique music (goth, trance, reggae) there are specialized outlets for you.

Find a writer who you think would be sympathetic to your album and send it to him/her care of the magazine in addition to the regular avenues.

Send the bare minimum of information
-A photo
Make it consistent for your genre- nothing is worse than three 'Ride The Lighting'-era metal dudes and then a guy dressed like he's from your local Nirvana cover band. Good pictures with good gimmicks make us happy.
-A short bio
I cannot stress this enough: keep it simple with maybe a few quotes. Keep the self-masturbation to a minimum- you are most likely a middle-class suburban white kid playing rock and roll. I used to write a different bio for each release of my own band and the one I had the most success with was the one where I talked about how much we hated cover bands.
-One to three CDs
It will most likely get sold after we are done with it
-A letter of introduction asking them to review your CD
In the letter give a quick summary of your music style, why you should be reviewed and invite the person to check out your band in person sometime.

Your presskit is your suit and tie and your letter is your 20 seconds to get a rock critic's attention. We all know that it is difficult to pin down your music genre because EVERY BAND SAYS that it is influenced by a wide variety of bands from Beethoven to Metallica, but try, ok?

That being said, we loved bad demoes and packaging. We had a whole folder full of shitty band photos and I still have a lot of the band bios that made me laugh. I know for a fact that the booking agent for the Khyber in Philadelphia had our picture on his "bands I will never book because they look so lame in their press kit photo" wall of shame.

Stand out
Include things that will make you stand out- send bumperstickers, Happy Meal toys, naked pictures of your girlfriend, and other stuff. Make your packaging colorful, too. It needs to stand out amidst a sea of manilla.

NOTE: The following will not guarantee you press but it will improve your chances at getting reviews

Establish a relationship
One of the benefits of a record label/manager is that he/she/it already should have contacts with magazines and other media outlets. A back avenue to getting press is to establish a relationship with the people who run or write for the magazine. You do this by:

1. Making friends with writers/editors.
2. Buying advertising

Making friends
You go about making friends by calling up and offering to get them into shows that you play. If they are scenesters, go up to them every now and then and talk with them. Just don't be a dick and demand show reviews. I used to do show and demo reviews for friends all the time. At the very least, you can find out the best way to get into the publication.

Buying Advertising
This seems sneaky and underhanded but is undeniably effective. If the publication has a sales person, mention that you have the CD and that you would appreciate it getting to the writers. NOTE: THIS WILL NOT GUARANTEE YOU A REVIEW OR PRESS but it is the equivalent of sending your stuff by certified mail.

My suggestion is to get a few bands together and group advertise for a quarter/eight page panel and ask that your demoes/albums get given to the right people.

Last but not least
Should you get a review, send a goddamn thank you note or call. It's the least you could do and will cement you in our heads as good people. Don't drop the relationship there because you will look like a total tool asking for a special favor to get your next album reviewed. Keep the network alive and continue to invite them to your shows.
 
so press kits: keep it simple, make it stand out, include one photo, a bio+letter

which zines/reviewers, do you suggest we give it to?
 
Do your research. Marketing and publicity requires a ton of footwork, but once you get a network in place it grows fairly rapidly.

1. Hit up every record and book store you can find and buy every magazine or 'zine you can find. Look through and focus on the writing of a few reviewers and then send a demo to them. With 'zines, just contact them- they are always starved for content and love it when they are noticed.

2. Spend an hour or so each night just looking through web sites and always have MP3 samples to send to a potential reviewer. You should always be on the lookout for different sites that have forums, etc.

Just stay away from buddyhead.com, those guys wouldn't know good music if it came up and bit them on the ass.
 
Crap, I just spend $70k on an MBA at USC and learned basically the same thing about marketing that was outlined here in less than a page... can I get a refund?

Seriously, the moral here is that this is as much of a business as just about anything else you can think of. Of course, not every business has as many competitors to deal with as your average band does.

I would add one other bit of advice which is much more basic than that given here and that is: decide what your band's goals are.

Do you want to be the best bar band in Harrison OH and play 2 nights a week in the tri-county bar scene? Do you want to use your band as a vehicle to sell your material to publishers (my current band) or does your band want to be picked up by a label that will fund your recording and put you on the road to support it.

I learned long ago there are a lot of ways to "make it" but if your whole band isn't all on the same page you can run into serious trouble.

For instance, if my current band were to get a touring offer, two of us would have to quit since we have commitments that would keep us in LA.

But we've managed to sell two of our original songs to a publishing company and the club gigs pay for recording and other odds and ends.

Remember, if there was one thing that always worked, everybody would just do that and everybody would "make it."
 
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